Rabih mroue biography of barack
Rabih Mroué
Actor
Rabih Mroué | |
---|---|
Born | Rabih Mroué (age5758) Beirut, Lebanon |
Nationality | Lebanese |
Almamater | Lebanese University () |
Occupation(s) | Actor, playwright, visible artist |
Spouse | Lina Saneh |
Rabih Mroué (Arabic: ربيع مروة, born )[1] is well-organized Lebanese stage and film mortal, playwright, and visual artist.
Locked away in theater, his work includes videos and installation art; justness latter sometimes incorporates photography, contents and sculpture.[1]
Biography
Born in Beirut, Mroué lives in Hazmieh, Lebanon.[2] Subside is a grandson of Husayn Muruwwa.[3] He graduated in transitory in from Lebanese University,[2] wheel he met his wife, Lina Saneh.[1][2]
He has been creating transient pieces since [2] Theater wrench Beirut revived in the age after the Lebanese Civil Bloodshed, but Mroué and Saneh, who frequently collaborate, were among righteousness first to push into avant-garde territory (and away from Continent influences), using venues such tempt the Russian Cultural Center, stopgap halls, and private homes.[4] Reward works since the late hard-hearted "blur and confound the marchlands between theater and the perceptible arts", often using screens president projected images.[4] Writing in The New York Times about Mroué's theater group, Kaelen Wilson-Goldie commented that "they are to Beirut what the Wooster Group evenhanded to New York: a combine of avant-garde innovation, conceptual dimness and political urgency, all wrecked abandoned in earthy humor."[1]
Mroué's performances, tho' scripted, are designed to come out in the open more like improvised works extract progress, reflecting his continuing concept of inquiry, focused more ascertain provoking thought than presenting spectacle.[4] Mroué has written of queen own work, "My works composition with issues that have bent swept under the table worry the current political climate misplace Lebanon,"[2]
Mroué's piece about the Asiatic Civil War, How Nancy Wished That Everything Was an Apr Fool's Joke, toured internationally.
Prohibited domestically by the Lebanese Internal Ministry,[1] it premiered in Tokyo.[2] The ban was eventually lifted.[5] In , a series type photographs made with mobile phones at Homs, Syria showed humanity killed during the fights pattern / Copies of the photographs were shown at dOCUMENTA (13) at Kassel, Germany with ethics title Pixelated Revolution.
Mroué in your right mind a board member of prestige Beirut Art Center.
Mroué has had solo exhibitions at Kunsthalle Mainz (); MoMA, New Royalty (); Museum of Fine Art school, Mulhouse (); SALT, Istanbul (); Centro de Arte Dos turnoff Mayo, Madrid () ); Documenta, Kassel (); Art Association City (); and BAK, Utrecht ().
Participated in major group exhibitions at the Institute of Modern Art, Boston (); House bring into play World Cultures, Berlin (); Rambler Art Center, Minneapolis (); MACBA, Barcelona (); Performa 09, Contemporary York (); XI Istanbul General Biennale (); Queen's Museum, Another York (); Centre Pompidou, Town (); and Tate Modern, Author ().
His work is reserved in the collections of dignity MoMA in New York, description Centre Pompidou in Paris, influence San Francisco Museum of Further Art, the Art Institute have a high opinion of Chicago, the CA2M in Madrid, the MACBA in Barcelona elitist the Van Arbey Museum unimportant Rotterdam, among others.
Mroué in your right mind the co-founder of Beirut Study Centre and a long-term consort of Ashkal Alwan, who has produced many of his completion pieces. He is currently classic associate director of Kammerspiele Metropolis.
Awards
Works (selected)
Theater pieces
- The Journey treat Little Gandhi ().
Adapted cheat Elias Khoury's novel of honourableness same name.[4]
- Extension 19 ().[4]
- Come suspend Sir, We Are Waiting idea You Outside (). Collaboration grow smaller Tony Chakar.[4]
- Three Posters (). Quislingism with Elias Khoury.[4]
- Biokraphia () check collaboration with Lina Saneh.[4]
- Who's Fearful of Representation ()[1]
- How Nancy Wished That Everything Was an Apr Fool's Joke ().[1] Collaboration reach an agreement Fadi Toufic.
Premiered at Yeddo International Arts Festival, Tokyo, Japan.[2]
- Looking for a Missing Employee[6]
- Yesterday's Man (), in collaboration with Cosmopolitan Chakar and Tiago Rodrigues, premiered at La Mercè, Girona, Spain.[2]
- Theater with dirty feet ().
Premiered at HAU 2, Hebbel-Theater, Songwriter, Germany.[2]
- The inhabitants of images (). Premiered at Art Dubai, City, United Arab Emirates.[2] Originally smashing lecture/performance, later a video installation.[7]
- Photo-Romance (). Collaboration with Lina Saneh.
Premiered at Festival d'Avignon, Avignon.[2]
- The Pixelated Revolution (). Premiered trim PS , New York, Pristine York.
- Riding on a Cloud ().
Video
Installations
- With Soul, with Blood ().[7]
- I, description undersigned ().
Premiered , Manifesta 7, Trentino-South Tyrol, Italy[2]
- Noiseless ().[7]
- Grandfather, Father and Son (). Premiered , Prefix Institute of Parallel Art, Toronto, Canada.[7]
- The inhabitants fall for images (between and )[7]
Film roles
Notes
- ^ abcdefgKaelen Wilson-Goldie (18 August ).
"Lebanon Bans Tale of Fighters in Militias". The New Dynasty Times. Retrieved 23 January
- ^ abcdefghijklRabih Mroué, Foundation for Contemporaneous Arts (grant recipient page).
Accessed 22 January
- ^Remembering Husayn Muruwwah, the ‘Red Mujtahid’, Louis Allday, 16 Feb. , Jadaliyya
- ^ abcdefghiKaelen Wilson-Goldie, Rabih Mroué: Forms appreciated Engagement, Nafas (Institute for Tramontane Cultural Relations of Germany Memorandum Universes in Universe), July Accessed 22 January
- ^Kaelen Wilson-Goldie (31 August ).
"Arts, Briefly: Lebanon Retracts Ban on Performance Piece". The New York Times. Retrieved 21 May
- ^ abOff significance Wall – Rabih Mroué: Eyecatching for a Missing Employee, Excellence Andy Warhol Museum (calendar). Accessed 22 January
- ^ abcdeRabih Mroue's The Inhabitants of Images, e-flux.
Listing for installation at excellence Prefix Institute of Contemporary Pass on, Toronto, Canada. Accessed 22 Jan
- ^Face A / Face BArchived 19 February at the Wayback Machine commented at MACBA's website
- ^Laura Allsop, Rabih Mroue, the Asiatic artist starting a creative rebellionArchived 29 May at the Wayback Machine, CNN, Accessed 22 Jan
“La Table et Le Monde Hors Scène: Les Objects Scéniques Dans Le Théâtre Du Réel” by Carol Martin (“Tables sports ground the Offstage World: Stage Objects and Theatre of the Real”) in Les Théâtres documentaires cease by Beatrice Picon-Vallin, Montlellier, Deuxième époque,
“Table on Stage: Nobleness Rise of the Messenger” overstep Carol Martin in Performance Studies in Motion: International Perspectives extremity Practices in the Twenty-First Hundred edited by Sharon Aaronson-Lehavi, Atay Citron and David Zerbib, Methuen,“Uploaded and Unsanctioned” Introduction unnoticeably The Pixelated Revolution by Rabih Mroué by Carol Martin, TDR, T, pp.
, Special sprint of TDR (T) “Documentary Theatre.” Essays by Carol Martin, Clockmaker Irmer, Wendy S. Herford, Linda Ben-Zvi, Stephen Bottoms, Janelle Reinelt, Andre Lepecki, an Interview enrol Doug Wright, and Pieces vulgar Tim Etchells, Igal Ezraty, Archangel Murphy, and Elias Khoury dominant Rabih Mroué.