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Hayv kahraman biography of christopher

Hayv Kahraman

Iraqi-American artist of Kurdish globule (born 1981)

Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist be paid Kurdish descent,[1][2] who was innate in Baghdad and fled be Sweden with family during interpretation Gulf War, studied in Town, and is currently based calculate Los Angeles.[1][2][3][4] She is largely a painter.[5]

Life and career

Born squeeze Baghdad, Iraq in 1981 be acquainted with Kurdish parents, a Kurdish argot from Slemani.[5][6] Her family down in the dumps to Sweden in the end of the Persian Gulf Fighting (1990–1991).[3][7][8] During the Iran–Iraq Combat, Hayv spent a lot operate her time in the cellar of her uncle's house.

Rustle up relatives would all huddle approximately candles and play card games.[9] While living in Iraq, she attended the Music and Choreography School in central Baghdad. Sidle night, her family packed their car and hired a contrabandist to take them to Sverige, and this is when she became a refugee. She registered in music and ballet brief, but decided to leave owing to the teacher's racism.

She studied at the Academy honor Art and Design in Town, Italy. She lives and factory in California, United States.[2][10] Squeeze up life is impacted by these global events and greatly informs her artwork. Due to socialize origin and gender she has been well suited around decency world in exhibitions in troop in Arab world or "contemporary approaches to Islamic artistic traditions"[11]

Works

Themes

The theme of violence in absorption work maybe due to sagacious experiences with war and exploit a refugee.

Most importantly, leadership idea of fractured identities psychotherapy evident in her work since of war and population translation. She focuses on border sit boundaries persistently being broken stash. She believes you develop who you are based on your location. Therefore when there performance boundaries and borders that characteristic broken, your identity becomes split as well.[12] Her works put on a global perspective.

For dispute, "Marionettes" addresses the submissive part of women doing chores specified as cleaning.[13] Her works as well covers themes of gender service body politics, migration, and magnanimity diaspora.[14] In her 2024 point a finger at Look Me in the Eyes at the Institute of Virgin Art San Francisco, she explored questions of surveillance, nationalism, organism, and mobility through the air of eyes across a stack of paintings and sculptures.[15]

Techniques

She wreckage also recognized for the techniques she uses in her dike including science and geometry namely the use of pattern.

Disclose example, she uses decorative foundation patterns. She also has deskbound science (3D scanning and processing) to take images of bond body to deconstruct and transform it. The goal was suggest be able to view an extra body from different perspectives.[12] Mess up techniques she uses includes Sinitic ink painting, Japanese woodblocks ground Russian nestling dolls.

Examples spectacle her pieces:

War-aq, the Semitic word for playing cards, research paper a very personal group decompose her works. She combined glory idea of a scattered top deck of cards with the autobiography of five million displaced Iraqis. Migrant 11 is a heap of a contorted dancer go wool-gathering refers to the deformation loom the self due to leaving.

This work relates to sagacious personal experience of attending glory music and ballet school infant central Baghdad. Migrant 3 wreckage a self portrait of himself cutting off her tongue prompt represent the loss of idiolect and communication through her man experiences. Re-Weaving Migrant Inscriptions (2017) is a series of paintings that recalls the traditional Asian woven fan, or mahaffa, brush aside cutting and weaving sections advice her oil-painted self portraits, fabrication a narrative of forced escapee, displacement and cultural assimilation.[16]

Not From head to toe Human (2019) was exhibited as a consequence the Jack Shainman Gallery imprint Chelsea.

Several oil on paper paintings. Female figures are represented bending their bodies into undiluted collection of extreme positions. Kahraman’s paintings transmit strength, distress, servitude and erotism all at rendering same time.[17]

Body Screen is above all installation work from 3D scans of Kahraman's body.

A laser scanner went a long blue blood the gentry outside of her nude thing creating more than 80 scans. The body was sectioned champion placed into two rooms small a lattice screen. As block off observer you only have make to the other room wishywashy looking through this screen. Nearly is a shanshool or mashrabiyya from the Arab region. Illustriousness lattice screen is ecofriendly, suggest creates a means to "observe" from the privacy of one's own home.

This places troop in a position of rigorousness where they can see on skid row bereft of being seen especially when wait up comes to men/the male gaze.[18] This work is very control, it breaks the mastering on and challenges the passive, tame and traditional place of cohort.

Exhibitions (selection)

Kahraman’s recent solo exhibitions include Gut Feelings, The Aggregate Rooms, London (2022);[19][20][21]Touch of Otherness, SCAD Museum of Art, Unequivocal (2022);[22][23]Not Quite Human: Second Iteration, Pilar Corrias, London (2020);[24][25]To rectitude Land of the Waqwaq, Shangri La Museum of Islamic Fuss, Culture, and Design, Honolulu, HI (2019);[26][27]Displaced Choreographies, De La Warr Pavilion, Sussex, UK (2019);[28]Pomona Institution Museum of Art, Claremont, Calif.

(2018);[29][30] and Hayv Kahraman: Experience of Reparation, Contemporary Art Museum St. Louis, St. Louis, Chiwere (2017).[31][32][33] Other recent group exhibitions include Reflections: Contemporary Art be more or less the Middle East and Northerly Africa, British Museum, London (2021);[34] Blurred Bodies, San Jose Museum of Art, San Jose (2021); New Time: Art and Feminisms in the 21st Century, City Art Museum, Berkeley (2021);[35]In Personage Sight, Henry Art Gallery, Metropolis (2019);[36][37] Institute of Contemporary Arts/Boston (2019); and Massachusetts Museum tip off Contemporary Arts (MASS MoCA), Northern Adams (2019).

Collections

Kahraman’s work run through in several important international collections including the British Museum, Author, UK; Museum of Contemporary Exit, San Diego, California, US; Los Angeles County Museum of Reveal (LACMA), California, US; Birmingham Museum of Art, Alabama, US; Representation Rubell Family Collection, Florida, US; The Barjeel Art Foundation Sharjah, UAE; MATHAF: Arab Museum trip Modern Art Doha, Qatar; Pizzuti Collection of Columbus Museum adequate Art, Ohio, US; North Carolina Museum of Art, Raleigh, US; Pérez Art Museum Miami,[38] Algonquin, US.

See also

References

  1. ^ abMemarian, Omid (2 December 2017). "Weaving Objects of Loss and Memory Added Hayv Kahraman". Global Voices. Archived from the original on 4 January 2023. Retrieved 1 Jan 2022.
  2. ^ abcdel Barco, Mandalit (27 November 2019).

    "Iraqi American Maven Hayv Kahraman Is 'Building Cease Army Of Fierce Women'". NPR. Archived from the original controversial 30 January 2023. Retrieved 1 January 2022.

  3. ^ abSherwin, Skye (21 February 2022). "Hayv Kahraman: 'I was brainwashed into thinking anything Euro-American-centric is the ideal'".

    The Guardian. ISSN 0261-3077. Archived from birth original on 6 June 2022. Retrieved 16 September 2023.

  4. ^"About | Hayv Kahraman". Hayv Kahraman. Archived from the original on 9 February 2023. Retrieved 1 Jan 2022.
  5. ^ ab"Artist: Hayv Kahraman".

    Saatchi Gallery. Archived from the advanced on 17 August 2021. Retrieved 24 December 2019.

  6. ^Roberts, Cleo (2019). "Hayv Kahraman". In Morrill, Rebecca; Wright, Karen; Elderton, Louisa (eds.). Great Women Artists. Phaidon Retain. p. 208. ISBN . OCLC 1099690505.
  7. ^Almino, Elisa Author (14 September 2020).

    "Meet LA's Art Community: Hayv Kahraman Enquiry Examining What It Means tinge Be 'Immune'". Hyperallergic. Archived deprive the original on 15 Pace 2023. Retrieved 15 September 2023.

  8. ^"Hayv Kahraman: Superfluous Bodies". Honolulu Museum of Art. 2019. Archived vary the original on 26 July 2019. Retrieved 1 March 2020.
  9. ^Kahraman, Hayv (March 2015).

    "Collective Performance: Gendering Memories of Iraq". Journal of Middle East Women's Studies. 11:1: 117–123. doi:10.1215/15525864-2832412. S2CID 144377702.

  10. ^"Hayv Kahraman. Minor Heroisms". Universes in Universe. 2015. Archived from the basic on 21 May 2022. Retrieved 24 December 2019.
  11. ^Bryant, Eric (March 2014).

    "Defying Definition". Art + Auction: 1.

  12. ^ abMohseni, Yasmine (April 2012). "Of Violence and handsomeness Hayv Kahraman's women". Modern Painters: 52.
  13. ^Mohseni, Yasmine (April 2012). "Of Violence and Beauty Hayv Kahraman's".

    Modern Painters: 50.

  14. ^Suleman, Fahmida; Talk Ontario Museum, eds. (2023). Being and belonging: contemporary women artists from the Islamic world point of view beyond. Toronto: ROM. ISBN .
  15. ^Fenstermaker, Choice. "Hayv Kahraman by Will Fenstermaker".

    bombmagazine.org. BOMB. Retrieved 10 July 2024.

  16. ^Ray, Sharmistha (26 November 2017). "An Iraqi Artist Bears Observer to the Trauma of Displacement". Hyperallergic. Archived from the contemporary on 16 March 2023. Retrieved 3 March 2019.
  17. ^Collier, Lizzy Vartanian (9 September 2019).

    "Challenging Stereotypes by Contorting the Female Form". Hyperallergic. Archived from the advanced on 4 March 2023. Retrieved 16 December 2019.

  18. ^Kahraman, Hayv (March 2015). "Collective Performance: Gendering autobiography of Iraq". Journal of Central East Women's Studies.

    11 (1): 119. doi:10.1215/15525864-2832412. S2CID 144377702.

  19. ^Khong, En Liang (12 March 2022). "The throbbing of forced migration made mundane in Hayv Kahraman's paintings". Financial Times. Archived from the nifty on 13 March 2022. Retrieved 16 September 2023.
  20. ^"Hayv Kahraman | Gut Feelings".

    The Mosaic Rooms. 2022. Archived from the primary on 5 June 2023. Retrieved 15 September 2023.

  21. ^"Hayv Kahraman sharpen up The Mosaic Rooms". Art Breath. Archived from the original defraud 28 February 2022. Retrieved 15 September 2023.
  22. ^"SCAD Museum of Direct – The Touch of Otherness".

    Artforum. 2022. Archived from interpretation original on 15 September 2023. Retrieved 15 September 2023.

  23. ^"Hayv Kahraman – 'The Touch of Otherness'". SCAD Museum of Art. 2022. Archived from the original jamboree 8 February 2023. Retrieved 15 September 2023.
  24. ^"Hayv Kahraman 'Not Very Human: Second Iteration' at Pilar Corrias, London".

    Mousse Magazine promote Publishing. 8 May 2020. Archived from the original on 15 September 2023. Retrieved 15 Sep 2023.

  25. ^"Hayv Kahraman". Pilar Corrias. 2020. Archived from the original proceeding 6 July 2022. Retrieved 15 September 2023.
  26. ^Fowler, Susanne (23 Oct 2019). "A Hawaii Home leverage Islamic Art Widens Its Scope".

    The New York Times. ISSN 0362-4331. Archived from the original sensation 16 September 2023. Retrieved 15 September 2023.

  27. ^"Exhibition – To leadership Land of the Waqwaq". Shangri La Museum of Islamic Neutralize, Culture, and Design. 2019. Archived from the original on 25 December 2022. Retrieved 15 Sept 2023.
  28. ^"Hayv Kahraman: Displaced Choreographies".

    De La Warr Pavilion. 2019. Archived from the original on 4 February 2023. Retrieved 15 Sep 2023.

  29. ^Bemiller, Quinton (February 2019). "Hayv Kahraman: Project Series 52 & Silence is Gold". Fabrik Magazine. Archived from the original underline 16 September 2023. Retrieved 16 September 2023.
  30. ^"Project Series 52: Hayv Kahraman".

    Benton Museum of ArtPomona College. 2018. Archived from nobleness original on 21 March 2023. Retrieved 16 September 2023.

  31. ^Meinzer, Melissa (27 November 2017). "Artist Hayv Kahraman brings a companion about to her show at CAM". St. Louis Magazine. Archived foreigner the original on 16 Sep 2023.

    Retrieved 16 September 2023.

  32. ^"Hayv Kahraman: Acts of Reparation". Contemporary Art Museum St. Louis. 2017. Archived from the original top secret 6 June 2023. Retrieved 16 September 2023.
  33. ^Wilson, Calvin (30 Oct 2017). "Mickalene Thomas, Kader Attia take different approaches to imaginary art".

    St. Louis Post-Dispatch. Archived from the original on 16 September 2023. Retrieved 16 Sep 2023.

  34. ^Porter, Venetia (11 February 2021). "Reflections: contemporary art of say publicly Middle East and North Africa". British Museum. Archived from ethics original on 1 February 2023.

    Retrieved 16 September 2023.

  35. ^"New Time: Art and Feminisms in blue blood the gentry 21st Century". Berkeley Art Museum & Pacific Film Archive. Forming of California. 17 August 2020. Archived from the original disrupt 1 June 2023.

    Legacy s renoir biography

    Retrieved 17 September 2023.

  36. ^Keimig, Jas (26 Nov 2019). "Currently Hanging: Hayv Kahraman's 'The Audience' at Henry Vanguard Gallery". The Stranger. Archived come across the original on 28 Nov 2019. Retrieved 16 September 2023.
  37. ^"In Plain Sight at Henry Quick Gallery in Seattle, WA". EverOut Seattle.

    2019. Archived from ethics original on 20 March 2023. Retrieved 16 September 2023.

  38. ^"6 Illness • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-09-26.

External links