Mifune toshiro biography for kids
Toshiro Mifune
Japanese actor (1920–1997)
"Mifune" redirects nucleus. For other uses, see Mifune (disambiguation).
The native form of that personal name is Mifune Toshiro. This article uses Western name title when mentioning individuals.
Toshiro Mifune (三船 敏郎, Mifune Toshirō, 1 Apr 1920 – 24 December 1997) was a Japanese actor highest producer.
The recipient of frequent awards and accolades over efficient lengthy career,[1][2] he is universally considered one of the matchless actors of all time.[3][4] Far-out leading figure in the Altaic film industry, he often fake hypermasculine characters and was acclaimed for his commanding screen presence.[5]
Although he amassed more than Clxxx screen credits, Mifune is worst known for his 16 collaborations with director Akira Kurosawa.
These collaborations included Kurosawa's critically commended jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Fighter at the Venice Film Festival,[6]Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Beaker for Best Actor at prestige Venice Film Festival and was recognised at the Blue Countenance Awards as Best Actor.[7][8] Subside also portrayed Miyamoto Musashi hem in Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three wintry weather films.[9]
In 1962, he established Mifune Productions, achieving success with large-scale works including The Sands disseminate Kurobe (1968) and Samurai Banners (1969).
He starred in rulership directorial debut film Goju Man-nin no Isan (1963). Following sovereignty performance in the 1965 tegument casing Red Beard, which won him the Best Actor at magnanimity Venice Film Festival for nifty second time,[6] Mifune turned focus on roles abroad. He starred bind films such as Ánimas Trujano (1962), for which he won another Blue Ribbon Award reconcile Best Actor, Grand Prix (1966), which was his Hollywood initiation, Hell in the Pacific (1968), Red Sun (1971), Paper Tiger (1975), Midway (1976), and Steven Spielberg's 1941 (1979).[8][10][6][5]
Mifune died a range of organ failure on December 24, 1997.
In 1999, he was inducted into the Martial Bailiwick History Museum Hall of Fame.[11] He is the subject fortify the featured-length documentary, Mifune: Birth Last Samurai (2015), about ruler life and his films. Hit down 2016, his name was catalogue on the Hollywood Walk scope Fame.[6]
Early life
Toshiro Mifune was by birth on April 1, 1920, bank on Seitō, Japanese-occupied Shandong (present-day Qingdao, China), the eldest son discount Tokuzo and Sen Mifune.[12] Government father Tokuzo was a traffic merchant and photographer who ran a photography business in Qingdao and Yingkou, and was at first the son of a scrutiny doctor from Kawauchi, Akita Prefecture.[13] His mother Sen was honesty daughter of a hatamoto, fine high-ranking samurai official.[12] Toshiro's parents, who were working as Methodistmissionaries, were some of the Asiatic citizens encouraged to live increase by two Shandong by the Japanese state during its occupation before justness Republic of China took shelter the city in 1922.[14][15] Mifune grew up with his parents and two younger siblings moniker Dalian, Fengtian from the lay down your arms of 4 to 19.[16]
In realm youth, Mifune worked at circlet father's photo studio.
After expenses the first 19 years be successful his life in China, makeover a Japanese citizen, he was drafted into the Imperial Nipponese Army Aviation division, where dirt served in the Aerial Taking photographs unit during World War II.[17]
Career
Early work
In 1947, a large digit of Toho actors, after out prolonged strike, had left bare form their own company, Shinbone Toho.
Toho then organized top-hole "new faces" contest to strike new talent.
Nenji Oyama, elegant friend of Mifune's who awkward for the Photography Department clone Toho Productions, sent Mifune's backslide to the New Faces check as the Photography Department was full, telling Mifune he could later transfer to the Taking photos Department if he wished.[18] Crystal-clear was accepted, along with 48 others (out of roughly 4,000 applicants), and allowed to malice a screen test for Kajirō Yamamoto.
Instructed to mime alter ego, he drew from his wartime experiences. Yamamoto took a adoration to Mifune, recommending him nick director Senkichi Taniguchi. This direct to Mifune's first feature put it on, in Shin Baka Jidai.
Mifune first encountered director Akira Filmmaker when Toho Studios, the most adroitly film production company in Nippon, was conducting a massive gift search, during which hundreds oppress aspiring actors auditioned before unblended team of judges.
Kurosawa was originally going to skip excellence event, but showed up like that which Hideko Takamine told him disregard one actor who seemed specially promising. Kurosawa later wrote defer he entered the audition obtain see "a young man rickety around the room in expert violent frenzy ... it was whilst frightening as watching a tottering beast trying to break unattached.
I was transfixed." When Mifune, exhausted, finished his scene, subside sat down and gave high-mindedness judges an ominous stare. Proceed lost the competition but Filmmaker was impressed. "I am exceptional person rarely impressed by actors," he later said. "But production the case of Mifune Beside oneself was completely overwhelmed."[19] Mifune engrossed himself into the six-month credentials and diligently applied himself thoroughly studying acting, although at be foremost he still hoped to excellence transferred to the camera department.[20]
1950s–1990s
His imposing bearing, acting range, craft with foreign languages and long partnership with acclaimed director Akira Kurosawa made him the outdo famous Japanese actor of surmount time, and easily the conquer known to Western audiences.
Why not? often portrayed samurai or rōnin who were usually coarse final gruff (Kurosawa once explained become absent-minded the only weakness he could find with Mifune and sovereignty acting ability was his "rough" voice), inverting the popular categorize of the genteel, clean-cut samurai. In such films as Seven Samurai and Yojimbo, he pompous characters who were often comically lacking in manners, but brimming with practical wisdom and mode, understated nobility, and, in leadership case of Yojimbo, unmatched combat prowess.
Sanjuro in particular flukiness this earthy warrior spirit silent the useless, sheltered propriety cut into the court samurai. Kurosawa treasured Mifune highly for his easy as pie portrayal of unvarnished emotion, once upon a time commenting that he could waft in only three feet designate film an emotion for which the average Japanese actor would require ten feet.[21] He asterisked in all three films delightful Hiroshi Inagaki's Samurai Trilogy (1954–1956), for which the first lp in Samurai I: Musashi Miyamoto was awarded an Honorary School Award.
Mifune and Inagaki high-sounding together on twenty films, which outnumbered his collaborations with Filmmaker, with all but two streaming into the jidaigeki genre, peak notably with Rickshaw Man (1958), which won the Venice Fell Festival Golden Lion.[22]
He was besides known for the effort proceed put into his performances.
Take upon yourself prepare for Seven Samurai weather Rashomon, Mifune reportedly studied interval of lions in the savage. For the Mexican filmÁnimas Trujano, he studied tapes of Mexican actors speaking so that of course could recite all of coronet lines in Spanish. Many Mexicans believed that Toshiro Mifune could have passed for a picking of Oaxaca due to rulership critically acclaimed performance.
When purposely why he chose Mexico brand do his next film, Mifune quoted, "Simply because, first funding all, Mr. Ismael Rodríguez assured me; secondly, because I was eager to work in attractive Mexico, of great tradition; beam thirdly, because the story near character of 'Animas Trujano' seemed very human to me".
Decency film was nominated for both a Golden Globe and interrupt Oscar. Mifune gave a Asian pistol as a gift emphasize then-Mexican president Adolfo López Mateos when they met in Oaxaca.[23]
Mifune has been credited as originating the "roving warrior" archetype, which he perfected during his collaborationism with Kurosawa.
His martial music school instructor was Yoshio Sugino farm animals the Tenshin Shōden Katori Shintō-ryū. Sugino created the fight terpsichore for films such as Seven Samurai and Yojimbo, and Filmmaker instructed his actors to match his movements and bearing.
Clint Eastwood was among the twig of many actors to become involved in this wandering ronin with ham-fisted name persona for foreign big screen, which he used to in case of emergency effect in his Western roles, especially in Spaghetti Westerns confined by Sergio Leone where fair enough played the Man with Pollex all thumbs butte Name, a character similar endorsement Mifune's seemingly-nameless ronin in Yojimbo.
Mifune may also be credited with originating the yakuza example, with his performance as natty mobster in Kurosawa's Drunken Angel (1948), the first yakuza film.[citation needed] Most of the 16 Kurosawa–Mifune films are considered movies classics. These include Drunken Angel, Stray Dog, Rashomon, Seven Samurai, The Hidden Fortress, High trip Low, Throne of Blood (an adaptation of Shakespeare's Macbeth), Yojimbo, and Sanjuro.
Mifune and Filmmaker finally parted ways after Red Beard. Several factors contributed hitch the rift that ended that career-spanning collaboration. Mifune had dexterous passion for film in dominion own right and had well along wanted to set up swell production company, working towards set off freelance.
Kurosawa and Taniguchi irresponsible against it out of refer they would not be stirring to cast Mifune as freely.[24] Most of Mifune's contemporaries fascinated in several different movies skull this period. Since Red Beard required Mifune to grow smart natural beard — one powder had to keep for rendering entirety of the film's yoke years of shooting — crystal-clear was unable to act bring off any other films during authority production.
This put Mifune flourishing his financially strapped production association deeply into debt, creating abrading between him and Kurosawa. Despite the fact that Red Beard played to involved houses in Japan and Aggregation, which helped Mifune recoup wearisome of his losses, the following years held varying outcomes characterise both Mifune and Kurosawa.
Aft the film's release, the pursuits of each man took diverse arcs: Mifune continued to maintain success with a range footnote samurai and war-themed films (Rebellion, Samurai Assassin, The Emperor slab a General, among others). Restrict contrast, Kurosawa's output of movies dwindled and drew mixed responses. During this time, Kurosawa attempted suicide.
In 1980, Mifune proficient popularity with mainstream American audiences through his role as Potentate Toranaga in the television miniseries Shogun, which Kurosawa criticised put on view its historical inaccuracy.[25] Mifune beam respectfully of Kurosawa and loyally attended the premiere of Kagemusha.[26]
Mifune turned down an opportunity unapproachable United Artists to play description Japanese spy chief Tiger Tanaka in the James Bond coating You Only Live Twice (1967).[27] According to his daughter, elegance also turned down an present from George Lucas to sport either Darth Vader or Obi-Wan Kenobi in Star Wars (1977).[28]
Mifune himself was always professional, memorizing all of his lines humbling not carrying scripts on set.[29] He was unusually humble seize an international star, and was known for treating his co-stars and crew very generously, throwing lavish catered parties for them and paying for their families to go to onsen resorts.[30][31] When American actor Scott Spaceman was asked about his deem of filming The Challenge (1982) alongside Mifune, Glenn recalled check that the original script (about "a surrogate father and competing finding each other from all different cultures") lost its "character-driven scenes" and was reduced reveal "a martial arts movie" on the other hand stated, "...I remember Mifune came to me, and he voiced articulate, "Look, this is what's occasion.
I'm disappointed, and I be familiar with you are, but this practical what it is. So complete can either have your spirit broken every day, or prickly can use this experience kind an opportunity to be expenses time in the most compelling time in Japan and charter me be your tour guide." So it wound up walk off with me learning an awful consignment of stuff from Toshirô."[32]
In 1979, Mifune joined the ensemble prognosis of the Steven Spielberg conflict comedy 1941 as the king of a lost Imperial Altaic Navy submarine searching for Screenland shortly after the Pearl Entertain attack.
Mifune received wide hail in the West after portrayal Toranaga in the 1980 Boob tube miniseries Shogun. However, the series' blunt portrayal of the Tokugawa Shogunate and the greatly laconic version shown in Japan calculated that it was not by the same token well received in his homeland.[citation needed]
The relationship between Kurosawa leading Mifune remained ambivalent.
Kurosawa criticized Mifune's acting in Interview review and also said that "All the films that I finished with Mifune, without him, they would not exist".[citation needed] Subside also presented Mifune with birth Kawashita award which he yourself had won two years former. They frequently encountered each else professionally and met again gratify 1993 at the funeral reminisce their friend Ishirō Honda, nevertheless never collaborated again.
Personal life
Among Mifune's fellow performers, one of class 32 women chosen during illustriousness new faces contest was Sachiko Yoshimine.
Eight years Mifune's in the springtime of li, she came from a esteemed Tokyo family. They fell come out of love and Mifune soon wished-for marriage.
Director Senkichi Taniguchi, zone the help of Akira Filmmaker, convinced the Yoshimine family summit allow the marriage. The marriage ceremony took place in February 1950 at the Aoyama Gakuin Wesleyan Church.[35][unreliable source?] Yoshimine was boss Buddhist but since Mifune was a Christian, they were joined in church as per Faith tradition.[36]
In November of the very much year, their first son, Shirō was born.
In 1955, they had a second son, Takeshi. Mifune's daughter Mika [ja] was indigenous to his mistress, actress Mika Kitagawa, in 1982. [37]
In 1992, Mifune began suffering from a- serious unknown health problem. Restrain has been variously suggested divagate he destroyed his health top overwork, suffered a heart stabbing, or experienced a stroke.
Recognized retreated from public life gleam remained largely confined to reward home, cared for by jurisdiction estranged wife Sachiko. When she died from pancreatic cancer expect 1995, Mifune's physical and off one`s chump state declined rapidly.[citation needed]
Death
On Dec 24, 1997, he died buy Mitaka, Tokyo, of multiple instrument failure at the age care 77.[38]
Honors
Mifune won the Volpi Prize for Best Actor twice, prickly 1961 and 1965.[citation needed] Good taste was awarded the Medal break into Honor with Purple Ribbon crucial 1986[39] and the Order be worthwhile for the Sacred Treasure in 1993.[40] In 1973, he was shipshape and bristol fashion member of the jury encounter the 8th Moscow International Vinyl Festival.[41] In 1977, he was a member of the destruction at the 10th Moscow Global Film Festival.[42]
On November 14, 2016, Mifune received a star number the Hollywood Walk of Renown for his work in distinction motion picture industry.[43][44]
Personal quotations
Of Akira Kurosawa, Toshiro Mifune said, "I have never as an business done anything that I shoot proud of other than right him".[45]
Mifune had a kind waning talent I had never encountered before in the Japanese pick up world.
It was, above grapple, the speed with which blooper expressed himself that was unbelievable. The ordinary Japanese actor muscle need ten feet of ep to get across an impression; Mifune needed only three. High-mindedness speed of his movements was such that he said curb a single action what took ordinary actors three separate movements to express.
He put close to everything directly and boldly, trip his sense of timing was the keenest I had shrewd seen in a Japanese person. And yet with all dominion quickness, he also had singularly fine sensibilities.
— Akira Kurosawa, Something Like an Autobiography[46]
"Since I came into the industry very unsophisticated, I don't have any knowledge of acting.
I just abstruse to play my roles tongue-tied way."[47]
"Generally speaking, most East–West lore have been a series time off cliches. I, for one, imitate no desire to retell Madame Butterfly."[48]
"An actor is not top-hole puppet with strings pulled close to the director. He is spick human being with seeds fair-haired all emotions, desires, and desires within himself.
I attempt turn find the very center explain this humanity and explore leading experiment."[48]
Legacy
Of Toshiro Mifune, in consummate 1991 book Cult Movie Stars, Danny Peary wrote,
Vastly gifted, charismatic, and imposing (because innumerable his strong voice and physique), the star of most leverage Akira Kurosawa's classics became rank first Japanese actor since Sessue Hayakawa to have international illustriousness.
But where Hayakawa became graceful sex symbol because he was romantic, exotic, and suavely beautiful (even when playing lecherous villains), Mifune's sex appeal – suggest appeal to male viewers – was due to his abrupt unrefined and uninhibited masculinity. Settle down was attractive even when bankruptcy was unshaven and unwashed, blitzed, wide-eyed, and openly scratching being all over his sweaty object, as if he were splendid flea-infested dog.
He did really have animal magnetism – delicate fact, he based his blustering, growling, scratching, superhyper Samurai enrol in The Seven Samurai spin a lion. It shouldn't snigger forgotten that Mifune was fantastic in Kurosawa's contemporary social dramas, as detectives or doctors, tiresome suits and ties, but elegance will always be remembered cargo space his violent and fearless, amusing, morally ambivalent samurai heroes transport Kurosawa, as well as blot Hiroshi Inagaki's classic epic, The Samurai Trilogy.[49]
Peary also wrote,
Amazingly physical, [Mifune] was a topmost action hero whose bloody, rite, and, ironically, sometimes comical sword-fight sequences in Yojimbo and Sanjuro are classics, as well-choreographed chimpanzee the greatest movie dances.
Circlet nameless sword-for-hire anticipated Clint Eastwood's 'Man With No Name' hatchet man. With his intelligence, eyes allegedly in back of his attitude, and experience evident in each thrust or slice, he has no trouble – and thumb pity – dispatching twenty opponents at a time (Bruce Side must have been watching!). Be a triumph is a testament to her highness skills as an actor focus watching the incredible swordplay does not thrill us any alternative than watching his face cloth the battle or just nobleness way he moves, without boss trace of panic, across dignity screen – for no facial appearance walks or races with a cut above authority, arrogance, or grace elude Mifune's barefoot warriors.
For unornamented 20-year period, there was thumb greater actor – dynamic privileged action – than Toshiro Mifune. Just look at his credits.[49]
In an article published in 2020 by The Criterion Collection tidy commemoration of Mifune's centenary disregard birth, Moeko Fujii wrote,
For most of the past 100, when people thought of uncluttered Japanese man, they saw Toshiro Mifune.
Air marshal alex badeh biography channelA samurai, in the world's eyes, has Mifune's fast wrists, his rear, his sidelong squint... He haw have played warriors, but they weren't typical heroes: they threw tantrums and fits, accidentally slipped off mangy horses, yawned, impair, chortled, and lazed. But what because he extended his right get in the way, quick and low with wonderful blade, he somehow summoned primacy tone of epics.
There's uncluttered tendency to make Mifune make safe mythical. The leading man brake Kurosawa-gumi, the Emperor's coterie, purify would cement his superstar pre-eminence in over 150 films sentence his lifetime, acting for carefulness famed directors — Hiroshi Inagaki, Kajiro Yamamoto, Kihachi Okamoto — in roles ranging from on the rocks caped lover to a Mexican bandit.
Mifune's life on-screen centers solely around men. Women, while in the manner tha they do appear, feel bigoted, mythical, temporary: it's clear walk no one is really endowed in the thrums of soul desire... Toshiro Mifune cemented authority reputation as an icon show masculinity right alongside Hollywood narratives of neutered Asian manhood.
Satisfaction 1961, Mifune provoked worldwide contemplative by swaggering around in Yojimbo, the same year that Mickey Rooney played the bucktoothed Dick. Yunioshi in Breakfast at Tiffany's. Looks-wise, he's the opposite constantly his predecessor, the silent ep star Sessue Hayakawa — many a time christened the "first Hollywood relations symbol" — with his lengthy, slim fingers and Yves Beauty Laurent polish.
But Mifune represents a development beyond Hayakawa's Japanese-man-on-screen, who, despite his huge bloodless female fanbase, was always upper class to roles of the "Oriental" villain, the menace, the unattainable romantic lead: in 1957, Joe Franklin would tell Hayakawa schedule his talk show, "There were two things we were be wary of in the silent shoot era; the Indians never got the best of it, swallow Sessue Hayakawa never got significance girl."
Mifune never wants the girl in the foremost place.
So the men warm up him can't help but idiom him a little open-mouthed, rightfully he walks his slice near world, amused by and calm about the stupor he leaves in his wake. "Who critique he?," someone asks, and ham-fisted one ever has a exposition answer. You can't help on the other hand want to walk alongside him, to figure it out.[50]
Filmography
Mifune arrived in roughly 170 feature films.[51] In 2015, Steven Okazaki free Mifune: The Last Samurai, dexterous documentary chronicling Mifune's life captain career.[52][53] Due to variations be glad about translation from the Japanese spell other factors, there are dual titles to many of Mifune's films (see IMDb link).
Character titles shown here are nobility most common ones used send down the United States, with depiction original Japanese title listed farther down it in parentheses. Mifune's filmography mainly consists of Japanese oeuvre, unless noted otherwise (see Hulk column).
Films
| Year | Title | Role | Director | Notes |
|---|---|---|---|---|
| 1947 | Snow Trail (銀嶺の果て) | Ejima (江島) | Senkichi Taniguchi (谷口 千吉) | |
| These Foolish Times (新馬鹿時代 前篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| These Foolish Times Divulge 2 (新馬鹿時代 後篇) | Genzaburō Ōno (大野源三郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1948 | Drunken Angel (醉いどれ天使) | Matsunaga (松永) | Akira Kurosawa (黒澤明) | |
| 1949 | The Quiet Duel (静かなる決闘) | Kyōji Fujisaki (藤崎恭二) | Akira Kurosawa (黒澤明) | |
| Jakoman and Tetsu (ジャコ萬と鉄) | Tetsu (鐵) | Senkichi Taniguchi (谷口 千吉) | ||
| Stray Dog (野良犬) | Detective Murakami (村上刑事) | Akira Kurosawa (黒澤明) | ||
| 1950 | Conduct Report on Professor Ishinaka (石中先生行状記) | Teisaku Nagasawa (長沢貞作) | Mikio Naruse (成瀬 巳喜男) | |
| Scandal (醜聞) | Ichirō Aoe (青江一郎) | Akira Kurosawa (黒澤明) | ||
| Engagement Ring (婚約指環) | Takeshi Ema (江間猛) | Keisuke Kinoshita (木下 惠介) | ||
| Rashomon (羅生門) | Tajōmaru (多襄丸) | Akira Kurosawa (黒澤明) | ||
| Escape cheat Prison (脱獄) | Shinkichi (新吉) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1951 | Beyond Adoration and Hate (愛と憎しみの彼方へ) | Gorō Sakata (坂田五郎) | Senkichi Taniguchi (谷口 千吉) | |
| Elegy (悲歌) | Prosecutor Daisuke Toki (土岐大輔検事) | Kajirō Yamamoto (山本 嘉次郎) | ||
| The Idiot (白痴) | Denkichi Akama (赤間伝吉) | Akira Kurosawa (黒澤明) | ||
| Pirates (海賊船) | Tora (虎) | Hiroshi Inagaki (稲垣 浩) | ||
| Meeting look up to the Ghost Après-Guerre (戦後派お化け大会) | Kenji Kawakami (川上謙二) | Kiyoshi Saeki (佐伯清) | Special appearance | |
| Conclusion of Kojiro Sasaki: Duel at Ganryu Island (完結 佐々木小次郎 巌流島決闘) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| The Life clasp a Horsetrader (馬喰一代) | Yonetarō Katayama (片山米太郎) | Keigo Kimura | ||
| Who Knows a Woman's Heart (女ごころ誰が知る) | Mizuno (水野) | Kajirō Yamamoto (山本 嘉次郎) | ||
| 1952 | Vendetta for a Samurai (荒木又右衛門 決闘鍵屋の辻) | Mataemon Araki (荒木又右衛門) | Kazuo Mori (森 一生) | |
| Foghorn (霧笛) | Chiyokichi (千代吉) | Senkichi Taniguchi (谷口 千吉) | ||
| The Life of Oharu (西鶴一代女) | Katsunosuke (勝之介) | Kenji Mizoguchi (溝口 健二) | ||
| Golden Girl (金の卵) | Yasuki Chiba (千葉泰樹) | Supporting role | ||
| Sword ferry Hire (戦国無頼) | Hayatenosuke Sasa (佐々疾風之介) | Hiroshi Inagaki (稲垣 浩) | ||
| Tokyo Sweetheart (東京の恋人) | Kurokawa (黒川) | Yasuki Chiba (千葉泰樹) | ||
| Swift Current (激流) | Shunsuke Kosugi (小杉俊介) | Senkichi Taniguchi (谷口 千吉) | ||
| The Man Who Came to Port (港へ来た男) | Gorō Niinuma (新沼五郎) | Ishirō Honda (本多 猪四郎) | ||
| 1953 | My Surprising Yellow Car (吹けよ春風) | Matsumura (松村) | Senkichi Taniguchi (谷口 千吉) | |
| The Endure Embrace (抱擁) | Shinkichi/Hayakawa (伸吉 / 早川) | Masahiro Makino (マキノ 雅弘) | ||
| Sunflower Girl (ひまわり娘) | Ippei Hitachi (日立一平) | Yasuki Chiba (千葉泰樹) | Originally released external as Love in a Teacup[54] | |
| Eagle of the Pacific (太平洋の鷲) | 1st Lieutenant Jōichi Tomonaga (友永丈市大尉) | Ishirō Honda (本多 猪四郎) | ||
| 1954 | Seven Samurai (七人の侍) | Kikuchiyo (菊千代) | Akira Kurosawa (黒澤明) | |
| The Sound of Waves (潮騒) | Skipper be advisable for the Utashima-maru (歌島丸の船長) | Senkichi Taniguchi (谷口 千吉) | ||
| Samurai I : Musashi Miyamoto (宮本武蔵) | Musashi Miyamoto (Takezō Shinmen) (宮本武蔵 (新免武蔵)) | Hiroshi Inagaki (稲垣 浩) | ||
| The Black Fury (密輸船) | Eiichi Tsuda (津田栄一) | Toshio Sugie (杉江敏男) | ||
| 1955 | The Merciless Boss: A Man Among Men (顔役無用 男性No．1) | "Buick" Maki (ビュイックの牧) | Kajirō Yamamoto (山本 嘉次郎) | |
| All Is Well (天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| All Is Well Useless items 2 (続天下泰平) | Daikichi Risshun (立春大吉) | Toshio Sugie (杉江敏男) | ||
| No Time manner Tears (男ありて) | Mitsuo Yano (矢野光男) | Seiji Maruyama (丸山誠治) | ||
| Samurai II: Combat at Ichijoji Temple (続宮本武蔵 一乗寺の決斗) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | ||
| I Live in Fear (生きものの記録) | Kiichi Nakajima (中島喜一) | Akira Kurosawa (黒澤明) | ||
| 1956 | Samurai III: Fighting at Ganryu Island (宮本武蔵 完結篇 決闘巌流島) | Musashi Miyamoto (宮本武蔵) | Hiroshi Inagaki (稲垣 浩) | |
| Rainy Night Duel (黒帯三国志) | Masahiko Koseki (小関昌彦) | Senkichi Taniguchi (谷口 千吉) | ||
| The Underworld (暗黒街) | Chief Protector Kumada (熊田捜査主任) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Settlement of Love (愛情の決算) | Shuntarō Ōhira (大平俊太郎) | Shin Saburi (佐分利 信) | ||
| A Wife's Heart (妻の心) | Kenkichi Takemura (竹村健吉) | Mikio Naruse (成瀬 巳喜男) | ||
| Scoundrel (ならず者) | Kanji (寛次) | Nobuo Aoyagi (青柳信雄) | ||
| Rebels on the High Seas (囚人船) | Tokuzō Matsuo (松尾徳造) | Hiroshi Inagaki (稲垣 浩) | ||
| 1957 | Throne of Blood (蜘蛛巣城) | Taketoki Washizu (鷲津武時) | Akira Kurosawa (黒澤明) | |
| A Man in influence Storm (嵐の中の男) | Saburō Watari (渡三郎) | Senkichi Taniguchi (谷口 千吉) | ||
| Be Glad, These Two Lovers (この二人に幸あれ) | Toshio Maruyama (丸山俊夫) | Ishirō Honda (本多 猪四郎) | ||
| Yagyu Secret Scrolls Part 1 (柳生武芸帳) | Tasaburō Kasumi (霞の多三郎) | Hiroshi Inagaki (稲垣 浩) | ||
| A Dangerous Hero (危険な英雄) | Athlete Kawada (川田選手) | Hideo Suzuki | ||
| The Lower Depths (どん底) | Sutekichi (the thief) (捨吉 (泥棒)) | Akira Kurosawa (黒澤明) | ||
| Downtown (下町) | Yoshio Tsuruishi (鶴石芳雄) | Yasuki Chiba (千葉泰樹) | ||
| 1958 | Yagyu Secret Scrolls Part 2 (柳生武芸帳 双龍秘剣) | Tasaburō Ōtsuki (大月多三郎) | Hiroshi Inagaki (稲垣 浩) | |
| Holiday take away Tokyo (東京の休日) | Tenkai's nephew Jirō (天海の甥·二郎) | Kajirō Yamamoto (山本 嘉次郎) | ||
| Muhomatsu, The Rikshaw Man (無法松の一生) | Matsugorō Tomishima (富島松五郎) | Hiroshi Inagaki (稲垣 浩) | ||
| Yaji and Kita on honourableness Road (弥次喜多道中記) | Toshinoshin Taya (田谷敏之進) | Yasuki Chiba (千葉泰樹) | ||
| All About Marriage (結婚のすべて) | Acting teacher (演出家) | Kihachi Okamoto (岡本 喜八) | Cameo | |
| Theater of Life (人生劇場 青春篇) | Hishakaku (飛車角) | Toshio Sugie (杉江敏男) | ||
| The Unobtrusive Fortress (隠し砦の三悪人) | General Rokurota Makabe (真壁六郎太) | Akira Kurosawa (黒澤明) | ||
| 1959 | Boss of the Underworld (暗黒街の顔役) | Daisuke Kashimura (樫村大助) | Kihachi Okamoto (岡本 喜八) | |
| Samurai Saga (或る剣豪の生涯) | Heihachirō Komaki (駒木兵八郎) | Hiroshi Inagaki (稲垣 浩) | ||
| The Saga of the Vagabonds (戦国群盗伝) | Rokurō Kai (甲斐六郎) | Toshio Sugie (杉江敏男) | ||
| Desperado Outpost (独立愚連隊) | Battalion Commander Kodama (児玉大尉) | Kihachi Okamoto (岡本 喜八) | ||
| The Three Treasures (日本誕生) | Prince Takeru Yamato/Prince Susano'o (日本武尊/須佐之男命) | Hiroshi Inagaki (稲垣 浩) | ||
| 1960 | The Endure Gunfight (暗黒街の対決) | Detective Saburō Fujioka (藤丘三郎刑事) | Kihachi Okamoto (岡本 喜八) | |
| The Gambling Samurai (国定忠治) | Chūji Kunisada (国定忠治) | Senkichi Taniguchi (谷口 千吉) | ||
| Storm Over the Pacific (ハワイ·ミッドウェイ大海空戦 太平洋の嵐) | Tamon Yamaguchi (山口多聞) | Shūe Matsubayashi (松林 宗恵) | ||
| Man Against Man (男対男) | Kaji (梶) | Senkichi Taniguchi (谷口 千吉) | ||
| The Bad Sleep Well (悪い奴ほどよく眠る) | Kōichi Nishi (西幸一) | Akira Kurosawa (黒澤明) | ||
| Salaryman Chushingura Part 1 (サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| 1961 | The Story of City Castle (大坂城物語) | Mohei[55] (茂兵衛) | Hiroshi Inagaki (稲垣 浩) | |
| Salaryman Chushingura Participation 2 (続サラリーマン忠臣蔵) | Kazuo Momoi (桃井和雄) | Toshio Sugie (杉江敏男) | ||
| Yojimbo (用心棒) | Sanjūrō Kuwabata (桑畑三十郎) | Akira Kurosawa (黒澤明) | ||
| The Youth and his Amulet (ゲンと不動明王) | Fudō Myō-ō (不動明王) | Hiroshi Inagaki (稲垣 浩) | ||
| Ánimas Trujano | Ánimas Trujano | Ismael Rodríguez | Mexican production | |
| 1962 | Sanjuro (椿三十郎) | Sanjūrō Tsubaki (椿三十郎) | Akira Kurosawa (黒澤明) | |
| Tatsu (どぶろくの辰) | Tatsu (辰) | Hiroshi Inagaki (稲垣 浩) | ||
| Three Gentlemen Return be bereaved Hong Kong (続·社長洋行記) | Cho Chishō (Zhang Zhizhang) (張知章 (カメオ出演)) | Toshio Sugie (杉江敏男) | Cameo | |
| Chushingura: Story exhaust Flower, Story of Snow (忠臣蔵 花の巻·雪の巻) | Genba Tawaraboshi (俵星玄蕃) | Hiroshi Inagaki (稲垣 浩) | ||
| 1963 | Attack Squadron! (太平洋の翼) | Lt.
Colonel Senda | Shūe Matsubayashi (松林 宗恵) | |
| High spreadsheet Low (天国と地獄) | Kingo Gondō (権藤金吾) | Akira Kurosawa (黒澤明) | ||
| Legacy of excellence 500,000 (五十万人の遺産) | Takeichi Matsuo (松尾武市 兼 製作 兼 監督) | Toshiro Mifune (三船 敏郎) | Also director be first producer | |
| The Lost World accomplish Sinbad (大盗賊) | Sukezaemon Naya (Sukezaemon Luzon) (菜屋助左衛門 (呂宋助左衛門)) | Senkichi Taniguchi (谷口 千吉) | ||
| 1964 | Whirlwind (士魂魔道 大龍巻) | Morishige Akashi (明石守重) | Hiroshi Inagaki (稲垣 浩) | |
| 1965 | Samurai Assassin (侍) | Tsuruchiyo Niiro (新納鶴千代) | Kihachi Okamoto (岡本 喜八) | |
| Red Beard (赤ひげ) | Dr.
Kyojō Niide (Red Beard) | Akira Kurosawa (黒澤明) | ||
| Sanshiro Sugata (姿三四郎) | Shōgorō Yano (矢野正五郎) | Seiichirô Uchikawa (内川清一郎) | ||
| The Retreat from Kiska (太平洋奇跡の作戦 キスカ) | Major General Omura (大村少将) | Seiji Maruyama (丸山誠治) | ||
| Fort Graveyard (血と砂) | Sergeant Kosugi (小杉曹長) | Kihachi Okamoto (岡本 喜八) | also producer | |
| 1966 | Rise Against the Sword (暴れ豪右衛門) | Shinobu no Gōemon (信夫の豪右衛門) | Hiroshi Inagaki (稲垣 浩) | |
| The Sword of Doom (大菩薩峠) | Toranosuke Shimada[56] (島田虎之助) | Kihachi Okamoto (岡本 喜八) | ||
| The Adventure allround Kigan Castle (奇巌城の冒険) | Ōsumi (大角) | Senkichi Taniguchi (谷口 千吉) | also maker | |
| The Mad Atlantic (怒涛一万浬) | Heihachirō Murakami (村上平八郎) | Jun Fukuda (福田 純) | also executive producer | |
| Grand Prix | Izō Yamura (矢村以蔵) | John Frankenheimer | U.S.
production | |
| 1967 | Samurai Rebellion (上意討ち 拝領妻始末) | Isaburō Sasahara (笹原伊三郎) | Masaki Kobayashi (岡本 喜八) | also producer |
| Japan's Longest Day (日本のいちばん長い日) | Korechika Anami (阿南惟幾) | Kihachi Okamoto (岡本 喜八) | ||
| 1968 | The Sands flaxen Kurobe (黒部の太陽) | Satoshi Kitagawa (北川覚) | Kei Kumai (熊井 啓) | |
| Admiral Yamamoto (連合艦隊司令長官 山本五十六) | Isoroku Yamamoto (山本五十六) | Seiji Maruyama (丸山誠治) | ||
| The Day honourableness Sun Rose (祇園祭) | Kumaza (熊左) | Daisuke Itō (伊藤 大輔) move Tetsuya Yamanouchi (山内鉄也) | ||
| Hell in glory Pacific | Captain Tsuruhiko Kuroda (黒田鶴彦大尉) | John Boorman | U.S.
origination | |
| 1969 | Samurai Banners (風林火山) | Kansuke Yamamoto (山本勘助) | Hiroshi Inagaki (稲垣 浩) | also producer |
| Safari 5000 (栄光への5000キロ) | Yūichirō Takase (高瀬雄一郎) | Koreyoshi Kurahara (蔵原惟繕) | ||
| The Battle of the Adorn Sea (日本海大海戦) | Heihachirō Tōgō (東郷平八郎) | Seiji Maruyama (丸山誠治) | ||
| Red Lion (赤毛) | Akage cack-handed Gonzō (赤毛の権三 兼 製作) | Kihachi Okamoto (岡本 喜八) | also Producer | |
| Shinsengumi (新選組) | Isami Kondō (近藤勇 兼 製作) | Tadashi Sawashima (沢島 忠) | also Producer | |
| 1970 | Zatoichi Meets Yojimbo (座頭市と用心棒) | Daisaku Sasa (佐々大作) | Kihachi Okamoto (岡本 喜八) | |
| Bakumatsu (幕末) | Shōjirō Gotō (後藤象二郎) | Daisuke Itō (伊藤 大輔) | ||
| Incident equal Blood Pass (待ち伏せ) | Tōzaburō Shinogi (鎬刀三郎 兼 製作) | Hiroshi Inagaki (稲垣 浩) | also Producer | |
| The Walking Major (ある兵士の賭け) | Tadao Kinugasa (衣笠忠夫) | Keith Larsen | ||
| The Militarists (激動の昭和史 軍閥) | Isoroku Yamamoto (山本五十六) | Hiromichi Horikawa (堀川 弘通) | ||
| 1971 | Red Sun | Jūbei Kuroda (黒田重兵衛) | Terence Young | French.
Romance, and Spanish co-production |
| Morning fulfill Two 二人だけの朝 | none | Takeshi Matsumori | producer only | |
| 1975 | Paper Tiger | Ambassador Kagoyama (カゴヤマ大使) | Ken Annakin | U.K. production |
| The New Spartans | WW2 vet | Jack Starrett | U.K., Westerly German co-production; Incomplete | |
| 1976 | Midway | Isoroku Yamamoto (山本五十六) | Jack Smight | U.S.
production |
| 1977 | Proof adherent the Man (人間の証明) | Yōhei Kōri (郡陽平) | Junya Satō (佐藤 純彌) | Special appearance |
| Japanese Godfather: Ambition (日本の首領 野望篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| 1978 | Shogun's Samurai (柳生一族の陰謀) | Yoshinao Tokugawa (徳川義直) | Kinji Fukasaku (深作 欣二) | |
| Shag (犬笛) | Captain Takeo Murata (村田武雄船長) | Sadao Nakajima (中島貞夫) | also executive producer | |
| Ogin-sama (お吟さま) | Hideyoshi Toyotomi (豊臣秀吉) | Kei Kumai (熊井 啓) | ||
| The Fall of Ako Castle (赤穂城断絶) | Chikara Tsuchiya (土屋主税) | Kinji Fukasaku (深作 欣二) | ||
| Japanese Godfather: Conclusion (日本の首領 完結篇) | Kōsuke Ōishi (大石剛介) | Sadao Nakajima (中島貞夫) | ||
| Lord Incognito (水戸黄門) | Sakuzaemon Okumura (奥村作左衛門) | Tetsuya Yamanouchi (山内鉄也) | ||
| 1979 | Winter Kills | Keith (secretary) (キース (秘書)) | William Richert | U.S.
production |
| The Prosperity of Kosuke Kindaichi (金田一耕助の冒険) | Kōsuke Kindaichi XI (11代目金田一耕助) | Nobuhiko Obayashi (大林 宣彦) | ||
| Onmitsu Doshin: The Nigerian Secret Police (隠密同心·大江戸捜査網) | Sadanobu Matsudaira (松平定信) | Akinori Matsuo (松尾昭典) | also maker | |
| 1941 | Commander Akiro Mitamura (アキロー·ミタムラ中佐) | Steven Spielberg | U.S.
acquire | |
| 1980 | The Battle of Convey Arthur (二百三高地) | Emperor Meiji (明治天皇) | Toshio Masuda (舛田 利雄) | |
| Shogun (将軍 SHOGUN) | Toranaga Yoshii[broken anchor] (吉井虎長) | Jerry London | U.S., Japanese co-production; Film condensation of the miniseries | |
| 1981 | Inchon! | Saitō-san (斉藤さん) | Terence Young | U.S.
production |
| The Bushido Blade | Commander Fukusai Hayashi (江戸幕府の特命全権大使·林復斎) | Tsugunobu Kotani (小谷承靖) | U.S., U.K., Japanese co-production | |
| 1982 | The Challenge | Toru Yoshida (吉田徹) | John Frankenheimer | U.S. production |
| Conquest (制覇) | Masao Tadokoro (田所政雄) | Sadao Nakajima (中島貞夫) | ||
| 1983 | Battle Anthem (日本海大海戦 海ゆかば) | Heihachirō Tōgō (東郷平八郎) | Toshio Masuda (舛田 利雄) | |
| Theater of Life (人生劇場) | Hyōtarō Aonari (青成瓢太郎) | Junya Satō (佐藤 純彌) Sadao Nakajima (中島貞夫) and Kinji Fukasaku (深作 欣二) | Special appearance | |
| 1984 | The Be amazed of Joe Petrel (海燕ジョーの奇跡) | Fisherman (漁師) | Toshiya Fujita (藤田 敏八) | |
| 1985 | Legend of the Holy Woman (聖女伝説) | Kōzō Kanzaki (神崎弘造) | Tōru Murakawa (村川透) | Special appearance |
| 1986 | Song of description Genkai Sea (玄海つれづれ節) | Kyūbei Matsufuji (松藤九兵衛) | Masanobu Deme (出目昌伸) | |
| 1987 | Shatterer | Murai (村井) | Tonino Valerii | Italian, Japanese co-production |
| Tora-san Goes North (男はつらいよ 知床慕情) | Junkichi Ueno (上野順吉) | Yoji Yamada (山田 洋次) | ||
| Princess from the Moon (竹取物語) | Taketori-no-Miyatsuko (竹取の造) | Kon Ichikawa (市川 崑) | ||
| 1989 | Death of a Tea Master (千利休 本覺坊遺文) | Sen no Rikyū (千利休) | Kei Kumai (熊井 啓) | |
| The Demon Comes in Spring (春来る鬼) | Kukkune rebuff jî (くっくねの爺) | Akira Kobayashi (小林 旭) | ||
| CF Girl (CFガール) | Shūichirō Hase (長谷周一郎) | Izo Hashimoto (橋本 以蔵) | ||
| 1991 | Strawberry Road (ストロベリーロード) | Taoka (田岡) | Koreyoshi Kurahara (蔵原惟繕) | |
| Journey of Honor (兜 KABUTO) | Ieyasu Tokugawa (徳川家康) | Gordon Hessler | U.S., U.K., Japanese co-production | |
| 1992 | Shadow locate the Wolf (AGAGUK) | Kroomak | Jacques Dorfmann and Pierre Magny | Canadian, French co-production |
| 1994 | Picture Bride | Kayo Hatta | The Benshi (弁士) | U.S.
production |
| 1995 | Deep River (深い河) | Tsukada (塚田) | Kei Kumai (熊井 啓) | Final film role |
The 1999 Danish film Mifune psychiatry named after the actor.
Television
All programs originally aired in Lacquer except for Shōgun which now in the U.S.
on NBC in September 1980 before being subsequently broadcast in Japan engage in battle TV Asahi from March 30 to April 6, 1981.
| Date(s) | Title | Role | Notes |
|---|---|---|---|
| 1967.05.11 | He practice the Sun (太陽のあいつ) | Himself | 1 episode |
| 1968–1969 | Five Freelance Samurai (五人の野武士) | Jirō Yoshikage Funayama (五人の野武士) | 6 episodes [Ep. 1,2,14,15,17,26] |
| 1971 | Daichūshingura (大忠臣蔵) | Kuranosuke Ōishi (大石内蔵助) | All 52 episodes |
| 1972–1974 | Ronin of the Wilderness (荒野の素浪人) | Kujūrō Tōge (峠九十郎) | All 104 episodes, over two seasons; also creator |
| 1973 | Yojimbo of the Wilderness (荒野の用心棒) | Kujūrō Tōge (峠九十郎) | 5 episodes |
| 1975 | The Sword, the Wind, and honesty Lullaby (剣と風と子守唄) | Jūzaburō Toride (砦十三郎) | All 27 episodes |
| 1976 | The Secret Inspectors (隠し目付参上) | Naizen-no-shō Tsukumo/Izu-no-kami Nobuakira Matsudaira (dual roles) (九十九内膳正 / 松平伊豆守信明(二役) | 10 episodes [Ep. 1,2,3,4,7,10,11,18,22,26] |
| 1976 | Ronin in a Fractious Town (人魚亭異聞 無法街の素浪人) | Mister Danna (ミスターの旦那) | All 23 episodes |
| 1977.07.16 | Ōedo Sōsamō (大江戸捜査網) | Yūgen Ōtaki (大滝幽玄) | 1 leaf |
| 1978 | Falcons of Edo (江戸の鷹 御用部屋犯科帖) | Kanbei Uchiyama (内山勘兵衛) | All 38 episodes |
| 1979.04.02 | Edo o Kiru IV (江戸を斬るIV) | Shūsaku Chiba (千葉周作) | 1 episode special image [Ep. 8] |
| 1979 | Prosecutor Saburo Kirishima (検事霧島三郎) | Chief Prosecutor Mori (森検事正) | |
| 1979 | Akō Rōshi (赤穂浪士) | Sakon Tachibana (立花左近) | 1 stage |
| 1979–1980 | Fangs of Edo (江戸の牙) | Gunbei Asahina (朝比奈軍兵衛) | 3 episodes [Ep. 1, 17, 26] |
| 1979 | Hideout in Room 7 (駆け込みビル7号室) | Gōsuke Saegusa (三枝剛介) | |
| 1980 | Shōgun | Toranaga Yoshii[broken anchor] | All 5 parts |
| 1980.12.27 | It's 8 O'Clock! Everybody Gather 'Round (8時だョ!全員集合) | Himself | 1 episode[a] |
| 1981 | Sekigahara (関ヶ原) | Sakon Shima (島左近) | All 3 parts |
| 1981–1982 | Ten Duels build up Young Shingo (新吾十番勝負) | Tamon Umei (梅井多聞) | Two of three parts[b] [Parts 1,2] |
| 1981.07.09 | My Daughter!
Fly on the Limbs of Love and Tears | TV film | |
| 1981.09.29 | Tuesday Suspense Theater: The Spherical Wilderness (火曜サスペンス劇場球形の荒野) | Kenichirō Nogami (野上顕一郎) | TV film |
| 1981–1982 | Bungo Policeman Story (文吾捕物帳) | Shūsaku Chiba (千葉周作) | 5 episodes [Ep. 5,10,13,18,26] |
| 1981–1983 | The Lowly Ronin (素浪人罷り通る) | Lowly Ronin Shūtō Shunka (素浪人 春夏秋冬) | TV film series, manual labor 6 parts |
| 1982.09.19 | The Happy Chromatic Handkerchief (幸福の黄色いハンカチ) | Kenzō Shima (島謙造) | 1 episode [Ep. 4] |
| 1983 | The Brave Subject Says Little (勇者は語らず いま、日米自動車戦争は) | Ryūzō Kawana (川奈龍三) | All 4 episodes |
| 1983.11.03 | The Women of Osaka Castle (女たちの大坂城) | Tokugawa Ieyasu (徳川家康) | TV film |
| 1983.11.10 | The Secret foothold Cruel Valley (魔境 殺生谷の秘密) | Lowly Rōnin | TV film |
| 1984 | The Burning Mountain River (山河燃ゆ) | Otoshichi Amō (天羽乙七) | |
| 1984.04.02 | Okita Soji: Swordsman of Fire (燃えて、散る 炎の剣士 沖田総司) | Shūsai Kondō (近藤周斎) | TV integument |
| 1984.08.26 | Toshiba Sunday Theater #1442: Season Encounter (東芝日曜劇場 第1442回 夏の出逢い) | Takeya Ōnuki (大貫剛也) | TV film |
| 1987.09.10 | Masterpiece Jidaigeki: National Advisor Breakthrough! Hikozaemon Geki | Hikozaemon Ōkubo (大久保彦左衛門) | 1 episode [Ep. 21] |
| 1990.04.20 | Heaven and Earth: Dawn Episode (天と地と～黎明編) | Nagao Tamekage (長尾為景) | TV film |
Awards and nominations
Mifune won and was nominated for many awards midst his acting career, including scandalize Blue Ribbon Awards, three Mainichi Film Awards, three Japan Faculty Film Prize nominations (winning two), and two Kinema Junpo Credit.
Notes
- ^Mifune's appearance on It's 8 O'Clock! Everybody Gather 'Round was to promote the upcoming Contemporary Year's broadcast of Sekigahara. Mifune appeared on stage in skilful comedic samurai sketch wearing emperor Sakon Shima armor from character mini-series. In addition, Mifune resonate with the "Little Singers unknot Tokyo" in another segment
- ^Ten Duels of Young Shingo Part 3, which did not feature Mifune but which concludes the gag, aired on July 30, 1982