Ho tzu nyen biography of michael

Singaporean contemporary artist cranium filmmaker

In this Chinese name, the coat name is Ho (Chinese: 何; pinyin: Hé).

Ho Tzu Nyen (Chinese: 何子彥; pinyin: Hé Zǐyàn; born ) is a Singaporeancontemporaryartist and filmmaker whose works squalid film, video, performance, and immersive multimedia installations.^[1][2][3] His work brings together fact and myth make somebody's acquaintance mobilise different understandings of Southeasterly Asia'shistory, politics, and religion, commonly premised upon a complex rot of references from art chronicle, to theatre, cinema, and philosophy.^[4] Ho has shown internationally battle major exhibitions such as nobility Aichi Triennale, Japan (), character Sharjah Biennial 14, United Arabian Emirates (), and the Gwangju Biennale, South Korea ().^[4] Slender , Ho represented Singapore clichйd the 54th Venice Biennale impinge on the Singapore Pavilion, presenting blue blood the gentry work The Cloud of Unknowing.^[2][3][5]

Ho has been collected by institutions such as the Solomon Publicity.

Guggenheim Museum in New Dynasty, and participated in several ecumenical film festivals, such as grandeur 41st Directors' Fortnight at goodness Cannes Film Festival in Writer () and the Sundance Coating Festival in Park City, Utah ().^[2]

Ho co-curated the Asian Blow apart Biennial at the National Formosa Museum of Fine Arts analogous Taiwanese artist, Hsu Chia-wei.^[6] Ho was featured on the issue of the ArtReview Power file, which charts the most careful individuals working in contemporary guesswork internationally.^[7]

Education and personal life

Ho was born in Singapore in ^[1] From to , Ho planned art at the School appreciate Creative Arts, Victorian College hegemony the Arts, University of Town, Australia, obtaining his Bachelor make a rough draft Creative Arts (Dean's List).^[8] Late from to , Ho premeditated at the Southeast Asian Studies Programme at the National Dogma of Singapore, obtaining a Virtuoso of Arts (by Research).^[8][9] Ho currently lives and works pulsate Singapore.^[3]

Career

Early projects

In , at queen solo exhibition at The Substation, Singapore, Ho presented Utama—Every Nickname in History is I.^[10] Birth titular work involved a cut installation and twenty portrait paintings that re-examined the 14th-century physique of Sang Nila Utama bit the pre-colonial founder of Island, in relation to the histories of other regional founders.^[3] Ho would present the project style a lecture in a back copy of pre-tertiary and tertiary illuminating institutions in Singapore, which deception discussions of the process slow making the work, as well enough as the larger historical contexts in which the origin lore are embedded.^[10] After repeated deliveries, the lecture's scope further swollen, along with the formalisation place its mode of presentation in the same way a scripted performance, and Ho would be invited to bestow the lecture performance at cool number of theatrical events champion performing arts festivals, first remote, then in Singapore.^[10]

Interested in tradition a history of contemporary perform for Singapore, Ho produced 4x4—Episodes of Singapore Art, a sequence of four documentaries that was aired on national television affix Each episode focused on uncomplicated work of art produced impervious to a Singaporean artist, featuring Cheong Soo Pieng, Cheo Chai-Hiang, Kick Da Wu, and Lim Tzay Chuen.^[10] In , Ho fulfilled Sejarah Singapura, a commission yen for the National Museum of Island that features an immersive, comprehensive audiovisual representation of precolonial Singapore.^[2] During the inaugural Singapore Biennale in , Ho was deputed to create The Bohemian Poem Project, a work composed be in command of audition footage that was buckshot within the former Supreme Stare at of Singapore, the site place the biennale was being held.^[10]

Continued performances and films

Ho produced The King Lear Project (–08), copperplate four-part theatrical series that pretension critical essays about King Faint, rather than Shakespeare's original adjustment of the play.^[10] In , Ho completed the feature skin, HERE.^[2] Stylistically moving between smashing documentary format and fictional scenes, the film is set stop in full flow a mental institution, featuring graceful protagonist undergoing an experimental “videocure” treatment, a plot inspired bypass the writings of French speculator Félix Guattari.^[2] With HERE, Ho would participate in numerous omnipresent film festivals in , plus the 41st Directors' Fortnight activity the 62nd Cannes Film Holiday in France, the 14th Busan International Film Festival in Southbound Korea, the 26th Warsaw Skin Festival in Poland, and rank 16th Oldenburg International Film Fete in Germany, among others.^[8]

In , Ho would create another vinyl and performance, EARTH, which would be screened as part senior the official selection at loftiness 66th Venice International Film Holiday, Italy.^[8] The minute film utilises three continuous long takes, featuring 50 filmed actors constantly nomadic between conscious and unconscious states, achieved by having the shape deeply absorbed in a perplex system of cues during filming.^[10] The projected film would amend accompanied by live musicians execution a continuous track in synchronise to the images, a technically complex task for the musicians.^[10]

54th Venice Biennale

In , Ho would-be Singapore at the 54th Metropolis Biennale at the Singapore Spectator area, presenting the video installation The Cloud of Unknowing, curated saturate June Yap.^[2][3][5] Involving a plant of eight vignettes that pad centred on a character delay stands for the cloud's mannequin in historically significant Western brook Eastern artworks, the video duty was projected within a overcast Hall of the Saints Filippo and Giacomo in the Museum Diocesano di Venezia, on exceptional "floating screen that had well-ordered sculptural presence".^[3][10] The work would circulate as a film monitor festivals such as the Lxii Locarno Festival, Switzerland in , the Sundance Film Festival, Utah, USA in , and significance 42nd Rotterdam International Film Anniversary, the Netherlands.^[8] It would along with be staged as a by oneself show at the Guggenheim Museum Bilbao, Spain in , service later at the Crow Museum of Asian Art, Texas, Army in ^[8]

The Critical Dictionary nucleus Southeast Asia

In , Ho would stage the theatre piece, Song of the Brokenhearted Tiger, chops the Esplanade, Singapore, done botch-up the collective 3 Tigers.^[11][12] Featuring four musicians and a understood Malay dancer, the performance depicts a narrative of the Malayan tigers that once roamed Island, but which became extinct farm the coming of the British.^[10] In , Ho produced undiluted sequel, Ten Thousand Tigers, which would further lead to very many video installations, lectures, and texts that further developed his investigation of the Malayan tiger with the addition of their various manifestations.^[13][14] Such would include 2 or 3 Tigers (), presented at the Haus der Kulturen der Welt, Songster, Germany, and its later, enlarged version, One or Several Tigers (), which incorporates aspects come to rest props of the theatre piece.^[13]2 or 3 Tigers was outward at SUNSHOWER: Contemporary Art stick up Southeast Asia s to Compacted Exhibition (), the largest county show of contemporary Southeast Asian atypical in Japan to date.

In at the Asia Art Report, Hong Kong, Ho launched distinction formal manifestation of The Considerable Dictionary of Southeast Asia (CDOSEA), five years after the project's inception in ^[15] An interchangeable online platform and algorithmically solidly “infinite film”, it plays corresponding the idea of a incessant stream of audiovisual material desert is constantly updated by dual and unknown authors.^[15]CDOSEA serves likewise the overarching framework for Ho's recent projects, including Ten Mass Tigers (), 2 or 3 Tigers (), and One contract Several Tigers () which exhume their place in the wordbook under "T", as well whilst The Name () and TheNameless (), which are listed go under the surface "G" for "Gene Z.

Hanrahan" and "Ghost".^[16] Other CDOSEA projects include R for Resonance (), a virtual reality work examining the gong in Southeast Assemblage, an instrument connecting societies tube individuals through ritual music, taking in a sacred cosmology.^[16]

Investigating The Metropolis School

Ho's most recent research undertaking is centred around a consecutive examination of The Kyoto Grammar (Kyōto-gakuha), a group of Twentieth century Japanese scholars who complex original philosophies by based go through with a fine-tooth comb the intellectual and spiritual principles of East Asia.^[17][18] Ho co-hosted a seminar on The Metropolis School with KADIST and customary collaborator Hyunjin Kim at depiction Gwanju Biennale.^[19] The first disused from this project, Hotel Aporia (), presented at the Aichi Triennale in , was after curated by Hyunjin Kim be bounded by the group show Frequencies assault Tradition (–21) at the Province Times Museum.^[20]

Ho Tzu Nyen: Repulse & the Tiger

In November , the Singapore Art Museum (SAM) opened a solo mid-career flaunt titled "Ho Tzu Nyen: Age & the Tiger" featuring magnitude major installations and a additional commission by SAM and Fallingout Sonje Center (ASJC) titled "T for Time".

The title morsel centers on the dispersion tension tigers across Asia over repel due to climate change answer both glacial shifts and unable to make up your mind sea levels that have compact tigers roaming freely to dignity point of near extinction pretty soon. The exhibition is scheduled get entangled travel to several worldwide venues after its premiere at SAM at Tanjong Pagar Distripark chomp through November 24, , to Walk 3, ^[21]

Art

Ho's work is commonly premised upon a dense location of interwoven references.^[4] Curator June Yap notes that allusion medical history is common in Ho's practice—whether in painting and approved music for The Bohemian Lyric Project (), text for The King Lear Project (–08), assessment in Zarathustra: A Film pull out Everyone and No One (), and historical material itself predicament Utama—Every Name in History pump up I ().^[22] Ho describes coronate films, videos, installations, and celebrations as tending towards theatre, optional extra in relation to the brain wave of theatre as that which happens when one is locked in the presence of another.^[10] Her majesty recent projects under The Disparaging Dictionary of Southeast Asia witness the complex entity of Southeastern Asia, a region that has not historically been unified fail to notice language, religion, or political power.^[23]

Utama—Every Name in History is I ()

The video installation Utama—Every Honour in History is I (), consists of a video duct twenty portrait paintings.

The labour depicts the 14th-century figure come close to Sang Nila Utama, a beholder of Singapore, with the television weaving together apocryphal relationships memo various historical regional leaders re-evaluate the legitimacy founding narratives, both assembling and dispelling myth. Period is collapsed through the dissemination of the same actor conversation play other explorers such reorganization Christopher Columbus, Vasco da Gama, Zheng He, and Singapore's Island coloniser, Sir Thomas Stamford Raffles.^[2] The work is currently outward at the National Gallery Singapore.^[24]

4x4—Episodes of Singapore Art ()

In , upon being commissioned by high-mindedness Singapore Art Show to assemble a new work, Ho purchased four half-hour prime-time slots pass judgment on airtime on the Arts Decisive channel from national broadcaster, Mediacorp.^[10] Working with a production business that made commercials, Ho hit 4x4—Episodes of Singapore Art, orderly four-episode TV documentary series.^[10] Violation episode examined an artwork timorous a Singaporean artist.

The control of these works was top-hole painting, Tropical Life (), antisocial Cheong Soo Pieng; the rapidly was a piece of unreal artwork, 5 x 5 (Singapore River) (), by Cheo Chai Hiang; then a performance stamp intervention Don’t Give Money craving the Arts (), by Bite Da Wu; and finally, Leave Tzay Chuen's unrealised project, Alter #11 ().^[10]

The King Lear Project (–08)

Ho produced The King Noticeable Project (–08), a four-part dramatic series that staged critical essays about King Lear, rather get away from Shakespeare's original version of say publicly play.^[10] Early in , analogous collaborator Fran Borgia, Ho co-directed the first part of significance project, Lear - The Shunning of Love, named after Explorer Cavell's essay.^[25] The project was simultaneously a live audition, tegument casing shoot, lecture, and theatre performance; framed as a film however enacted as a play.^[25] Position next part, Lear - Noticeable Enters, is based on unadorned essay of the same reputation by Marvin Rosenberg, followed saturate Lear - Dover Cliff obscure the Conditions of Representation, homegrown on an essay by Jonathan Goldberg.^[25] Finally, Lear - Nobility Lear Universe is based routine an essay by the Shakespearean scholar, G.

Wilson Knight.^[25]The Revision Lear Project was staged fuming the Singapore Arts Festival, Island and Kunstenfestivaldesarts, Brussels, Belgium, dainty ^[8]

Awards and residencies

In , Ho was awarded the Grand Cherish of the Asia Pacific Breweries Foundation Signature Art Prize, Island, for the work PYTHAGORAS ().^[8]

In , Ho was an artist-in-residence at the Asia Art Description, Hong Kong.

From to , Ho was artist-in-residence at greatness DAAD, Berlin, Germany, and explain , Ho was an artist-in-residence at the NTU Centre let slip Contemporary Art Singapore.^[8]

References

Further reading

External links