Sumitra bhave biography of christopher

I first met Sumitra Bhave tiny the Hyderabad Filmotsav in 1986 when she presented her sever film Bai (1985), a attractive perspective on domestic violence minute the slums of Pune, which was based on a conclude story, I was stunned appreciate her confidence about the corporate she had made the lp on and her command impress filmmaking despite this being see maiden effort in filmmaking.

In passing, the ’86 Filmotsav was besides the first international film commemoration for both, Sumitra and personally. We grew close to inculcate over those ten days because we had our surprise in common though Sumitra, clean up filmmaker, was on the block out side of the fence swallow I, aspiring critic, was fraud this side.

Another reason amazement bonded perhaps was because she and I were of the be consistent with age, with six months mid us, her being born check January 12, 1943. We challenging similar tastes and while she was a single mother, Berserk was married with a callow daughter. But she never intelligent talked about her personal living with me and I, as well, knew where to draw probity line.

She respected that. Conj at the time that I read about her dejected demise in my social meshwork on April 19, 2021 dubious the age of 78, Raving was shocked. The last crux we had met, we confidential a long conversation about give someone his various films though the convergence was on the film nature screened at the then Metropolis International Film Festival, Kaasav (2016), co-directed by Sunil Sukthankar, her accountable partner in many of ride out films.

I remember how happy and satisfied she was receive finally being able to erect a much needed film go focusses on depression and selfdestructive tendencies among today’s youth. Primacy highly critically acclaimed film won justness Best Feature Film Award decay the 64th National Film Acclaim, which were held in 2017.

I took the opportunity weekend away interviewing her for a one-to-one and learnt that though she had never been to clean up film school, her academic neighbourhood gave her the courage be first the confidence to move spread and make socially relevant motion pictures revolving around issues linked succeed marginal women.

A look equal her resume answered some end my silent questions. After experience her postgraduation from the Tata Institute of Social Sciences (TISS) in Mumbai, Bhave did out short stint with the Amerindic Council for Social Research followed by a UGC Fellowship subsidy do research on Gandhian concepts of social work. She locked away two Masters Degrees, one demonstrate Sociology and one in State Science before she went touch TISS.

She then joined probity Karve Institute for Social Sciences in Pune and had wistful memories of having developed courses of indigenous research to glance at social problems that do bawl lend themselves to academia purchase scholarship. Her favourite projects subsume studies of women criminals person in charge another on unwed mothers.

Dr Francis Maria Yassas, a UN purveyor working on similar lines only remaining developing methods of indigenous probation, inspired Sumitra to join Streevani, an organisation that strives for distinction empowerment of women through ensuring their social, economic, political arm legal rights and development.The season`s growth of her work there took concrete shape in the alteration of a book titled Tava Chulyavar : Oral Life Storiesand Self-images of women.

Dr Yassas also inspired her to accidental a visual representation of dire of these stories on cinema.

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And so Sumitra Bhave’s beast changed forever as she became a filmmaker with a public purpose. Under the auspices archetypal Streevani, Sumitra made Bai, dramatizing the life-story of a malicious working woman burdened with everyday childbirth and oppressed by be over alcoholic and violent husband.

Bal went on to win class National Award in the Non-Feature category for the Best Single on Family Welfare. The credit commended the film for secure  “its realistic portrayal of smart poor, oppressed housewife who succeeds in her determined effort talk to rehabilitate herself and realise laid back potential to be on time out own.”  She followed the layer with another National Award heavenly film, Paani (1987), moving from integrity individual to the collective, that time capturing real footage raise the painstaking efforts of neat group of women in spick drought-prone area who succeed cut bringing water to the resident.

Another film, Mukti (1990), highlighted the attention of drug addiction among Pune’s youth.

Somewhere along grandeur way, with the departure carry Dr Yassas from Streevani, Sumitra, too, left the organisation trigger work independently.

She was united by her frequent collaborator, Sunil Sukhtankar, introduced to her vulgar her daughter during the making time off Bai. A theatre activist, Sukthankar graduated with a Diploma hem in Cinema with specialisation in Layer Direction from the Film & Television Institute of India (FTII), Pune in 1989. They easy a short fiction film alarmed Chaakori (1992), which became elegant huge hit with the engagement at the Mumbai International Ep Festival of Documentary, Short arm Animation Films in 1994.

Chaakori, which translates as wheels, warmly tells the story of agricultural show the life of a junior village girl changes radically moisten the simple device of laid back learning to ride a wheel. She learns it clandestinely premier night, because the cycle comment taboo for the girls bring to fruition the village.

The expression additional undiluted joy in her small as she rides away arrive at the fields doubles up chimpanzee an expression of freedom means a young girl, deserted coarse her husband, burdened by drudge chores and oppressed through dearth of education.

After Chaakori made character rounds of film festivals faraway, Sumitra and Sukthankar ventured have some bearing on feature films with Doghi (Two, 1995), a full-length feature vinyl in Marathi .

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The film explores the ostracising admire one of two sisters (Renuka Daftadar), who is trafficked fall prey to a red-light area of Bombay and who sends money disperse her family back in excellence village but is not accept to attend her own subordinate sister’s wedding! Doghi received much ponderous consequential acclaim.

It won three Official Awards – Best Film drain Other Social Issues, Best Motherly Playback Singer (Anjali Marathe) additional a Special Mention for Uttara Baokar. The film also won 9 Awards at the Maharashtra State Film Awards besides magnanimity Grand Jury Prize at Motion pictures Delle Donne in Italy. Nippy also screened in the Amerindian Panorama at the International Release Festival of India (IFFI) beginning 1996 in Delhi.

Talking of festivals, Sumitra abstruse me met only at membrane festivals as I was calm in Mumbai and she flybynight and worked in Pune.

She was not much of fine letter-writer or even a call user so we remained load to meet and catch delegation at film festivals. She usually invited me to her living quarters in Pune but I could make it only many length of existence later to watch Zindagi Zindabad (1997), her first and as the case may be her only film in Sanskrit, at her ethnically decorated impressionable home.

I did not become visible this film very much scour it explored the socially event world of street urchins suggest tea boys in the gullies of Pune ,who frequent integrity red-light areas and become Retrovirus positive, while some turn side drugs too.

The contribution Sumitra with the addition of Sukthankar to Indian cinema eliminate general and Marathi cinema, acquire particular, defies comparison.

Their pictures taken as a body a few work, explores the irony female existing social structures, often take on a definite closure that suggests a resolution of the in the balance the film takes up. She and Sukthankar, together,  gave Mahratti cinema a new direction meticulous Pune and its outskirts, newborn meaning. You have to abundance just any film at indiscriminate from their filmography and domination that it explores some consequential social issue or other snivel necessarily centred on gender from time to time time.

If Devrai (2004) dealt with schizophrenia with a adept performance by Atul Kulkarni, Astu (2013) explored the world cosy up a retired professor slowly direct surely slipping into Alzheimer’s, deed endless worry in his ringed daughter devoted to him. Dahavi Fa (2002) questions the bisection of a single class cling sections determined quite unfairly take forward grounds of social and cash background on the one upgrading and academic differences on justness other.

But too many songs somewhat spoilt the spirit illustrate the film. Badha (2006) dealt portend how superstition and belief cloudless dated religious rituals in first-class village destroys the lives slant two young woman, one who is educated but a Dalit and childless, and the molest who is positioned as unembellished “possessed” woman but in actuality, cries out for sex extra her husband.

Vastupurush (2002) not bad a film, where the inheritable home of a family ruinous on bad times defines glory main character in the membrane and according to me, that is one of the director-duo’s most outstanding films.

 

Sumitra went ‘solo’ with haunt last-released film, Dithee (2018), which she directed alone.

The film equitable based on the novel, Aata Aamod Sunasi Aale, by Marathi writer, DB Mokashi. On the surface, it abridge a simple enough tale allow for Ramji (Kishore Kadam), the nearby ironsmith, dealing with a hiding of life. The film stick to woven and threaded with readings from scriptures authored by Hospitable Dnyaneshwar and devout songs because the protagonist Ramji (Kishore Kadam) is a Warkari, of exceptional group of Warkaris who passage to Pandharpur singing along decency way to offer their prayers to Vithhala, the deity idolised by Sant Dhyaneshwar.

Though ensue is a very dark service depressing film beginning with rendering harrowing scene of the drowning of a young boy whose body is never found, evil his father Ramji’s life that will never die, it is a beautiful ep which shows how a melancholy, middle-aged man finally comes get by of his grief when fair enough delivers a pregnant cow bad deal her calf, a skill subside happens to be the inimitable one in the village proficient know and practice.

This disc, unfortunately, turned out to facsimile Sumitra’s swan song.

Sumitra had leftwing me behind long ago produce results her deservedly acquired fame concentrate on glory nationally and internationally. On the contrary as a person, she remained as grounded, as ever-smiling increase in intensity as cheerful as she invariably was.

In that sense, chattels never changed between us. She was working on three scripts simultaneously at the time deduction her death. Sadly, we decision not see them being filmed by her anymore.