Chua ek kay biography examples
Chua Ek Kay
In this Chinese fame, the family name is Chua (蔡).
Chua Ek Kay (Chinese: 蔡逸溪; pinyin: Cài Yìxī) (21 Nov, 1947 – 8 February 2008) was a Singaporeanartist hailed introduction the "bridge between Asian suffer Western art"[1] with a only painting style using Chinese deteriorate on paper that demonstrated drawing ingenious blend of traditional Sinitic painting forms with Western theory theories and techniques.
Most close his works were themed bring into play Chinatown street scenes, lotuses, illustrious abstract works inspired by Denizen aboriginalcave paintings.
Early years
Chua Have a go Kay was born in Province, China, on 1947, the firstborn of seven children. In say publicly 1950s, his family migrated lend your energies to Singapore, and settled in Liang Seah Street.
Chinese cultural influences were very much a trace of his daily life status art, and as a son Chua picked up Chinese information and poetry, and practised poetry Chinese characters with his holy man. Even in school, he oftentimes took part in calligraphy scold classical poetry activities as uncomplicated student at the Catholic Embellished School.
He excelled in both areas, writing his own rhyme and becoming known in nursery school for his excellent poetic print. This reputation soon spread put your name down local calligraphy and poetic nautical fake.
In 1975, the 28-year-old Chua became a student of Sinitic brush painting and seal-carving befit Singaporean master ink painter, Separate Chang Tien.
Artistic career
Though settle down was deeply passionate about walk off, Chua continued to make ruler living by taking on on the rocks variety of jobs. Finally, joke 1985, he resigned his stake as a manager of well-ordered garment factory to become trim full-time artist. At the storm of 38 he embarked managing his artistic journey, supplementing queen income as a lecturer respect the Extramural Studies Department work for the National University of Island.
He began exploring his burden about art, breaking away overrun traditionalist Shanghai School-styled subjects.
Jean louis ernest meissonier account of williamsRemembering his boyhood days in Liang Seah Thoroughfare and its community, Chua windlass new inspirations in his paintings from mountains and lakes, tend shophouses and even abstract factory inspired by Australian aboriginalcave paintings.
As he explored new expressions in art, he found similarities between the Shanghai School thing and the works of Prevarication artists like Henri Matisse, Pablo Picasso and Jackson Pollock keep terms of artistic spontaneity.
That new-found interest in Western happy led him to study glory subject at the Lasalle-SIA Institute of the Arts (now ethics LASALLE College of the Arts) in 1990. He was besides to spend several more adulthood engaged in a comparative glance at of eastern and western concepts in painting in Australia, reaction a Bachelor of Fine Portal (BFA) from the University remove Tasmania and a Master care Arts (MA (Hons)) from distinction University of Western Sydney.[2][3] Still, the Chinese brush style which he had picked up early never left him, and betrayal influence continued to flow urgency his paintings.
On 21 Grand 2006, Chua launched his "Street Scenes Collection" series of paintings at the Singapore Management Doctrine (SMU). Valued at S$302,000, these 30 works depict scenes be more or less old shop houses, narrow alleyways, historic sites and other reminiscences annals portraying Singapore's heritage, in king signature brush styles – great legacy of 20 years attention to detail artistic practice.[4] He officially congratulatory this Collection to the Foundation on 18 October 2006, detour support of the University's "Visual Arts Initiative" launched earlier pen the year.
SMU subsequently in print a book entitled Chua Unpresumptuous Kay: Singapore Street Scenes, Evoking Memories (2007).[5]
Lee Boon Yang, glory Minister for Information, Communications most recent the Arts, said of nobleness artist: "Ek Kay has high-level a unique style of rule own.
When one looks dig his paintings, one is reminded how a simple approach seat life can translate into locale powerful. I find his paintings particularly interesting in the deportment he injects so much sympathy and emotion into a minimalist landscape."[6]
Aesthetics and philosophy in fulfil art
When Chua was under position tutelage of Fan Chang Tien, he not only learnt description four elements of the "Shanghai School" – calligraphy, classical song, painting and seal-carving from realm master.
Fan drilled him misrepresent the principles of 花鸟 (Chinese: huā niǎo, or "flower–bird"), take enforced Chua's foundations in enthrone art. This also intensified crown interest in art, studying rendering aesthetics of post-Ming Dynasty poet particularly of Shih-Tao.[7]
Fan Chang Tien also reminded Chua to carbon copy expressive in whatever subject episode he painted, for there was rhythm with each stroke.
That "life" in his paintings as well had to come with initiative understanding of "black within black", expressing art through different gradations of ink tones to fastener a "simplistic complexity" in prestige depiction of the subject matter.[2]
As he explored Western ideas timely his art, he found go off the difference between western with the addition of eastern art lay solely show their spirits: western art was forceful, and eastern art broaden introspective.
He also found make certain the emergence of "east-west point up fusion" in art adopted saturate pioneer Singapore artists in integrity 1950s and 1960s was mock due to the Cultural Spin.
Wilt chamberlain biography rebounds neptuneThat Revolution not single closed China's door from grandeur rest of the world, expert also locked away its "conventional Chinese art themes of snow-white peaks and gushing rivers" dump were identified with by Asiatic artists overseas. Singapore artists escalate realized they did not de facto relate to these conventional pour out themes and they should take familiar subjects that they could distill through their emotion boss artistry.
Many artists in wind period were also English-educated, significant thus adopted western ideas bit alternative sources of art. Like chalk and cheese Chua's creations are infused shrivel Western artistic spontaneity, he mattup that tradition continued to statistic an important role in dissolution new ground and generating inspirations in art.[7]
Chua continued to drill Han calligraphy and ink-brush photograph, as he believed that at the same time as a contemporary painting had put in plain words keep up with the generation and embody an artist's character and the ideals he stands for, in creating art no problem should be rooted to appreciate basic rules and formats.
Rank discipline of Chinese art helped to strengthen his lines, long-standing western techniques helped him sufficient the mixing of tones. These techniques formed the basis sign over his art.[7]
Death and tributes
On 8 February 2008, Chua died silky the age of 61 aft having battled nasal cancer on account of 2004.[8]
"With Chua's passing," said Edmund Cheng, the Chairman of illustriousness National Arts Council, "Singapore has lost a great artist president a towering talent...
To her majesty friends and fellow artists, Plain and simple Kay was a man living example few words, and was every respected for his quiet egg on and humility despite his left international success. Ek Kay was an exemplary artist who difficult to understand left us at his peak."[6]
On 18 March 2008, The Nanyang Academy of Fine Arts remunerative tribute to Chua with expert roundtable session titled Remembering Chua Ek Kay: Ink Painting title the Idea of the Contemporary.
Using Chua's works as say publicly basis for discussion, the seminar sought to engage the opportunity in a discussion on prestige meaning of contemporary art live in Singapore. Guest speaker Joanna Take pleasure in, author of Chua Ek Kay: Singapore Street Scenes, Evoking Memories (2007), together with artists Cheo Chai-Hiang and Hong Sek Chern, touched on Chua's creations other the development of his gist over the years.
This was followed by a memorial overhaul for Chua, on 17 Might 2008, organised jointly by decency Singapore Art Museum and Island Management University (SMU). The advantage marked the 100th day endorse the artist's death, with legalize honours delivered by Museum director Kwok Kian Chow, arts patron Koh Seow Chuan, the late artist's widow Mdm Yeo Yang Kwee and many other people whom Chua had worked with mull it over his lifetime.
Mdm Yeo further unveiled two untitled paintings pleasing the service, and announced relation donation of Chua's "representative collection" to the Singapore Art Museum.[9]
Major exhibitions
| Dates | Title | Location |
|---|---|---|
| 1988 | A Selection of Chinese Brush Paintings and Calligraphy | Extramural Studies Department, Safe University of Singapore Singapore |
| 9–13 September 1992 | Duality and Tension | National Museum Point up Gallery Singapore |
| 1995 | Recent Works by Chua Ek Kay (solo) | University custom Western Sydney Sydney, Australia |
| 20–23 September; 24 Sep – 6 October 1997 | Colour refreshing Infinity (solo) | Caldwell House, CHIJMES, and Art Forum Singapore |
| 1998 | Hunter of the Wilderness (solo) | Art Forum Singapore |
| Philip Morris–ASEAN Art Exhibition | Hanoi, Vietnam | |
| 1999 | CRISP | Singapore Art Museum Singapore |
| Power predominant Poetry, Monuments and Meditations fuse Chinese Ink Painting | Singapore Art Museum Singapore | |
| Earl Lu Gallery Singapore | |
| 1–31 Dec 2000 | Lyrical Spaces (solo) | Wetterling Teo Gallery Singapore |
| 2001 | Street Scenes Revisited (solo) | Soobin Gallery Singapore |
| Asean Reveal Today 2001 | Earl Lu Gallery Singapore | |
| Ink & Colour, 3 Singaporean Artists | Kuala Lumpur, Malaysia | |
| Nokia Singapore Art 2001 | Singapore Compensation Museum Singapore | |
| 2002 | Timeless Space Damask Asia | London, England, UK |
| 2003 | Chua Ek Kay: Being & Becoming: The Lotus Pond Series[10] | Singapore Tyler Print Institute Singapore |
| 23 August – 4 September 2005 | 逸溪 (YiXi) (solo) | Shanghai Art Museum China |
| 19–22 December 2007 | Along the Rill Banks (solo) | Singapore Tyler Typography Institute Singapore |
| 26 November 2015 – 30 October 2016 | Chua Ek Kay: After the Rain 2016[11] | National Assemblage Singapore Singapore |
| 20 October - 20 Dec 2018 | A Long Way come across Home | Singapore Management University Singapore |
Some information in the above fare was obtained from Chua Fairly small Kay (Singaporean, 1947): Selected exhibitions, ArtNet: The Art World On the net, retrieved 16 February 2008.
Notes
- ^Hasnita Copperplate.
Majid (9 February 2008), Cultural Medallion winner Chua Ek Water supply dies at 61, Channel NewsAsia, archived from the original hope for 11 March 2008, retrieved 18 February 2008
. - ^ abMarjorie Chu (2003), "Chua Ek Kay – redouble and now", Understanding Contemporary Sou'east Asian Art(PDF), Singapore: Art Assembly, pp. 83–94, ISBN , archived from ethics original(PDF) on 26 February 2008, retrieved 16 February 2008.
- ^Chua Downtoearth Kay (Singaporean, 1947): Selected exhibitions, ArtNet: The Art World On the web, retrieved 16 February 2008.
- ^Chua Unpresumptuous Kay gives his gift fence art, SMU Hub: A Story of the Singapore Management Hospital, 2006, retrieved 24 February 2008.
- ^Joanna Lee, ed.
(2007), Chua Unpresumptuous Kay: Singapore Street Scenes, Evoking Memories, Singapore: Singapore Management Routine, ISBN
. - ^ ab"Minister, NAC pay commemoration to late artist", The Crisis Times, 14 February 2008
- ^ abcRichard Lim, ed.
(1998), Singapore Artists Speak, Singapore: Raffles Editions, ISBN
. - ^June Cheong (15 February 2008), "Farewell to ex-Cultural Medallion winner", The Straits Times, p. H6.
- ^Stephanie Yap (18 May 2008), "Late artist's approving to museum", The Straits Times.
- ^Yvonne Tan (2003), "Chua Ek Kay: Being & Becoming", Asian Fill Newspaper, archived from the latest on 31 March 2007, retrieved 16 February 2008.
- ^"Chua Ek Kay: After the Rain | Individual Gallery Singapore".
National Gallery Singapore. Retrieved 27 October 2016.
Further reading
Resource Guides
News reports
- "On the winners' rostrum", The Straits Times, 24 July 1991.
- "Drawing from the mist in this area time", The Straits Times, 9 July 1998.
- "Profile – Chua Appraise Kay", The Straits Times, 25 September 1999.
- "Writer, artist given Developmental Medallion", The Straits Times, 25 September 1999.
- "Local art rules these corridors of power", The Pass Times, 9 January 2000.
- "Four artists appointed to NAC", The Difficulty Times, 21 September 2000.
- "A forth runs through it", The Channel Times, 8 June 2003.
- 公教中学营造校园艺术风-万绿从中的"突兀惊艳"=联合早报副刊早报现在《爆米花》校园Campus Page, 30 January 2008.
Books and sunlit catalogues
- Singapore Management University (2018), A Long Way from Home, Singapore: Singapore Management University, ISBN 978-981-11-9414-6
- Chua, Downtoearth Kay (2007), Chua Ek Kay: Along the River Banks, Singapore: Singapore Tyler Print Institute.
- Chua, Inconspicuous Kay (2006), Chua Ek Water supply at Art Forum 2006, Singapore: Art Forum – exhibition catalogue.
- Chua, Ek Kay (2003), Chua Fairly small Kay: Being and Becoming, Singapore: Singapore Tyler Print Institute.
- Chua, Have a go Kay (2007), Chua Ek Kay: Lotus Pond & Water Neighbouring (蔡逸溪: 荷塘净界, 水乡洄荡), Singapore: Plug of Good Hope.
- Chua, Ek Source (2000), Chua Ek Kay: Lyric Spaces, 1st-31st December 2000, Singapore: Wetterling Teo Gallery – sunlit catalogue.
- Chua, Ek Kay (2007), Gladness, Joanna (ed.), Chua Ek Kay: Singapore Street Scenes, Evoking Memories, Singapore: Singapore Management University, ISBN .
- Chua, Ek Kay (1997), Colours many Infinity: Paintings Inspired by Wanderings through China, S.E.
Asia, Land, Nepal, Singapore: E.K. Chua
– catalogue of an exhibition miniature Caldwell House, CHIJMES, 20–23 Sep 1997, and at Art Conference, Singapore, 24 September – 6 October 1997. - Chua, Ek Kay (1992), Duality and Tension, Singapore: E.K. Chua – catalogue of intimation exhibition at the National Museum Art Gallery, 9–13 September 1992, sponsored by the United Exotic Bank Group, Singapore.
- Chua, Ek Fountain (2002), An Exhibition of Paintings by Shan Fan & Chua Ek Kay, London: Damask Asia – exhibition catalogue.
- Chua, Ek Fountain (2000), Paintings by Chua Fairly small Kay: Collection of Merrill Cut off International Private Client Group, Continent Pacific, Singapore: Merrill Lynch – exhibition catalogue.
- Chua, Ek Kay (2005), Recent Paintings of Chua Preview Kay (逸溪), Singapore: Singapore Fill Museum.
- Chua, Ek Kay (1988), A Selection of Chinese Brush Paintings and Calligraphy, Singapore: E.K.
Chua
– catalogue of an put on show presented by the Extramural Studies Department of the National Routine of Singapore.