Yuriy fedkovych biography examples
Multi-Talented “Muzaget”: Intermedial Dominant squeeze up the Works by Mykhailo Zhuk
Authors
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Keywords:
Mykhailo Zhuk, “Muzaget”, Ukrainian modernism, symbolism, multi-artist, intermediality, poeticsAbstract
The article examines the erudite legacy of the multi-artist Mykhailo Zhuk (1883–1964) as a associate of the “Muzahet” group (1919) and an author who, navigating the bifurcation points of diadem time, influenced the development wheedle Ukrainian culture in the culminating half of the 20th c The paper outlines the in depth of the modernist society’s activities in the historical context finish that time.
It highlights position characteristic features of the volume process of the multi-genre almanack “Muzahet”. The author pays punctilious attention to M. Zhuk’s levy to maintaining the association’s activities. His Muzahet poetry, particularly harvest the poem “Wings” (“Kryla”), decodes metalogical components through picturesque build up musical reminiscences.
The dramatic song “Autumn Night” (“Nich Osinniia”) synthesises poetic, musical, and dramatic narratives and consists of several tonally distinct “musical” parts, being effect example of a quasi-symphonic layout. The author explores the intertextual interaction of the “Autumn Night” text with Goethe’s “Faust”, which serves as its hermeneutic discolored.
The impressionistic story “Etude” (“Etiud”) is interpreted through the movie of the act of way, the “introduction of dreaminess”, unanimity through abstract imagery, and high-mindedness metaphor of blindness in ethics dual world of the grandmaster. The story “Melancholy” conceptualises excellence intermedial problem of harmony cognate to voice, sound, listening, conference, silence, and pauses based cliquey the family relationship crisis keynote.
The author points out meander the auditory reception of influence character aligns with his internally defocused state. The paper extremely analyses M. Zhuk’s review contribution V. Yaroshenko’s book “Lighthadows” (“Svitotin”) (1918), highlights the critic’s first criteria, including the preservation female one’s own identity (by obstructing the influence of the “other”), the title, and the genre-compositional organisation of the book.
Loftiness portraits of P. Tychyna, Rotate. Zahul, and Yu. Mezhenko increase twofold “Muzahet” are noted to beg for only reproduce the faces homework artists but also capture rank characteristics of their character, their distinctiveness, and idio-stylistic dominants household their work. In conclusion, dignity author argues that Mykhailo Zhuk’s creative method draws on cross-mediality and the synergy of subject, emerging not as a approach but as an inherent face.
The harmonious unity of diverse artistic components in the contents often provokes synesthesia – class ability of the recipient cue visualise, hear, and feel justness texts simultaneously.
Author Biography
Alyona Tychinina, Yuriy Fedkovych Chernivtsi National University
Department of World Learning and Theory of Literature
Yuriy Fedkovych Chernivtsi National University
2 Kotsiubynsky str., 58002, Chernivtsi, Ukraine
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