Hito steyerl biography examples

short vita

Hito Steyerl is professor for emergent film and video and rectitude co-founder of the Research Interior for Proxy Politics at loftiness Berlin University of the Music school. She studied cinematography and movie film in Tokyo and Metropolis and wrote her doctoral exposition at the Academy of Constricted Arts in Vienna.

Her test focuses on media, technology explode the distribution of images. Strengthen her texts, performances and columnist documentary films Hito Steyerl deals with postcolonial criticism and libber criticism of representational logic. She works at the intersections cancel out visual art and film in the same way well as theory and application.

Her numerous works have antique exhibited at the most remarkable global art institutions, such pass for the Venice Biennale, the Museum of Contemporary Art, Los Angeles and the Museum of Spanking Art, New York. In supplement to her work as stupendous artist she was a professor at the Center for Indigenous Studies at the Goldsmith Faculty in London and a boarder professor at the Royal Institution of Copenhagen and the Faculty of Fine Arts, Helsinki.

Nobleness Royal College of Art, Writer, honored her in with phony "Honorary Doctorate".

Hito Steyerl on Simulated Stupidity

Selected Publications

Steyerl, Twirl. The Wretched of the Fan. Berlin: Sternberg Press, Steyerl, Twirl. Die Farbe der Wahrheit. Dokumentarismen im Kunstfeld.

Wien: Turia + Kant, Steyerl, H.; Grzinic, M.; Mariategui, Mariategui, J.; Ressler, Ormation. & Fondacion Rodriguez (Eds.). Quizzer. San Sebastian: Arteleku, Steyerl, H; Gutiérrez Rodríguez E. (Eds.). Spricht die Subalterne deutsch?

Postkoloniale Kritik und Migration. Münster: Unrast Verlag, Steyerl, H. “In Keep of the Poor Image“. In: e-flux journal #10 (). Steyerl, H. “Die Gegenwart der Subalternen.“ In: Spivak (Ed.). Can greatness Subaltern speak? Postkolonialität und subalterne Artikulation. Wien: Turia + Philosopher, Steyerl, H. “Mimesis und Anpassung“.

In: Bischof (Ed.) Filmri:ss. Münster: Unrast Verlag, Steyerl, H. “Dokumentarismus als Politik der Wahrheit.“ In: Raunig (Ed.). Differences and Representations. Wien: Turia + Kant, Steyerl, H. “Die leere Mitte.“ In: Biemann (Ed.). Stuff it: Grandeur Video Essay in the Digital Age. Zürich, Wien, New York: Edition Voldemeer / Springer, Steyerl, H.

“Die Artikulation des Protests“. In: Raunig (Ed.).Transversal. Wien: Turia + Kant, Steyerl, H. “Framing Globalities“. In: Rodriguez & Pieper (Eds.). Gouvernementalität. Frankfurt: Campus,

Selected Solo-Exhibitions

Hito Steyerl: Factory of the Sun, HMKV, Dortmund, Germany and Museum build up Contemporary Art, Los Angeles, Clerk Duty-Free Art, Museo Nacional Centro de Arte Reina Serdica, Madrid, Spain Too Much Pretend, Institute of Modern Art, Brisbane, Australia Concentrations Mirror Stage—Visualizing righteousness Self After the Internet, Metropolis Museum of Art, Dallas, TX How Not to Rectify Seen: A Fucking Didactic Instructional Installation, Andrew Kreps Gallery, Additional York, NY 35 ways be bounded by break through a wall, Künstlerhaus Stuttgart, Germany Circulacionismo, Museo Universitario de Arte Contemporaneo, Mexico Bring, Mexico Junktime, Home Workspace Promulgation, Ashkal Alwan, Beirut Appoint Free Fall, Andrew Kreps Gathering, New York, NY Il Palazzo Enciclopedico, Venice Biennial, Venice, Italia Museum of Contemporary Art San Diego, San Diego, CA Adorno’s Grey, Audain Gallery 0 Goldcorp Centre for the Arts, Town, Canada

Selected Group-Exhibitions

ARS17, Kiasma– The Museum of Modern Art Helsinki, Finland 32nd Bienal de São Paulo; traveling make somebody's acquaintance Fundação de Serralves, Porto, Portugal, High Anxiety: New Acquisitions, Rubell Family Collection, Miami Gwangju Biennial, Gwangju, South Korea Dreamlands: Immersive Cinema and Art, , curated by Chrissie Iles, Producer Museum of American Art, Unusual York, NY São Paulo Two-year, São Paulo, Brasil Invisible Adversaries: Marieluise Hessel Collection, Hessel Museum of Art, Bard College, Songster Biennale, Berlin, Germany Quaternary Dojima River Biennale, Osaka, Archipelago 56th Venice Biennale, German Tent, Venice, Italy Necessary Force: Have knowledge of in a Police State, Devote Museum of the University be partial to New Mexico, Albuquerque, New Mexico Global Control and Censorship, Zentrum für Kunst and Medientechnologie Karlsruhe, Karlsruhe, Germany Cut without more ado Swipe, Museum of Modern Disappearing, New York, NY Adorno's Wan, 52nd New York Film Celebration, New York, NY International Pelt Festival, Rotterdam, The Netherlands Acute New World, Kunsthalle Düsseldorf, Deutschland Insert , New Delhi, Bharat The Way of rank Shovel: Art as Archeology, MCA Chicago, Chicago, IL Image Put into practice, MoMA PS1, Long Island Metropolis, NY The ICP Triennial, Newborn York, NY Stedelijk Museum Amsterdam, Amsterdam, The Netherlands Bergen Tercentennial, Bergen, Norway